By Ursula K. LeGuin
pluriverse
, always-coming-home
, book-club
LeGuin completely imagined a new society. The Valley was based on seemingly fond memories of her childhood.
No matter where our journies take us we are in a sense always coming home.
…How our rituals define what is important to us
The main point of the book is their voices speaking for themselves in stories and life-stories, plays, poems, and songs. If the reader will bear with some unfamiliar terms they will all be made clear at last.
All we ever have is here, now.
Run two quail
rise two quail
two quail run
two quail rise
from the meadows by the river
How I envy them their shovels and sieves and tape measures, all their tools, and their wise, expert hands that touch and hold what they find! Not for long; they'll give it to the museum, of course; but they did hold it for a moment in their hands.
My gold is in the shards of the broken pot at the end of the rainbow. Dig there!
If they had a town here it was made of what the woods and fields are made of, and is gone.
They owned their Valley very lightly, with easy hands. They walked softly here. So will the others, the ones I seek.
Some Stories Told Aloud One Evening
Shahugoten
The Keeper
Dried Mice
Dira
The Miller
Lost
The Brave Men
At the Springs of Orlu
Old Women Hating
A War with the Pig
People
The Town of Chumo
The Trouble with the Cotton People
The City
A Hole in the Air
Big Man and Little Man
Beginnings
Time in the Valley
A Note on the Valley Stage
The Wedding
Night at Chukulmas
The Shouting Man, the Red Woman, and the Bears
Tabetupah
The Plumed Water
Chandi
The Train
She Listens
Junco
The Bright Void of the Wind
White Tree
The Third Child's Story
The Dog at the Door
The Visionary: The Life Story of Flicker of the Serpentine of Telina-na
A Note about the Novel
Chapter Two
Messages Concerning the Condor
About a Meeting Concerning the Warriors
From the People of the Houses of Earth in the Valley
I. Animals of the Obsidian
II. Animals of the Blue Clay
Alphabet and Pronunciation
Kesh Numbers