Annika Waffner
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    # Sozialformen im Kunstunterricht ### Klassenunterricht | Potentiale | Herausforderungen | EKU* | | --------------------------------------------------------------------------------------------------------------------- | --------------------------------------------------------------- | ---------------- | | Möglichkeit eines interessengleiteten KlassengesprĂ€chs, das durch gezielte Impulse der Lehrkraft gelenkt werden kann. | Alle SchĂŒlerInnen wahrnehmen und ihren Lernstand einschĂ€tzen | Diskussionsrunde | | |die Motivation der SuS aufrecht erhalten |Impulse zum Einstieg, Abfrage Vorwissen | | effektive Arbeitsform, zeitökonomisch, gut organisierbar | unterschiedlicher Wissensstand, SuS werden wenig berĂŒcksichtigt | Text | ### Kleingruppenarbeit | Potentiale | Herausforderungen | EKU* | | -------------------------------------------------------------------------------------- | ------------------------------------------------------------------------------------ | ----------------------------------------------------------------------------- | | Austausch hilft, das eigene Handeln zu reflektieren und neue Lösungswege zu erreichen. | Konflikte innerhalb der Gruppe | Apps? | | Aushandeln unterschiedlicher Auffassungen, Lösungswege, Positionen etc. | Konfliktpotenzial, toleranter/ wertschĂ€tzender Umgang mit verschiedenen Perspektiven | Apps? | | mit- und voneinander lernen/ gegenseitige UnterstĂŒtzung | Koordination/ Anteile | in der Gruppe kĂŒnstlerisch aktiv werden (Performance, Gruppenproduktion, etc.) | | Bearbeitung komplexer Aufgaben (Arbeitsteilung) | Gleichwertige Aufgabenbearbeitung (Schwierigkeitsgrad sollte sich nicht zu stark bei den SuS untereinander unterscheiden) | Arbeitsteilige Aufgaben |Außer der fachlichen FĂ€higkeit/Fertigkeit können SchĂŒlerinnen und SchĂŒler weitere FĂ€higkeiten, wie z.B. TeamfĂ€higkeit, KommunikationsfĂ€higkeit, erwerben. | Ablenkung vom Gegenstand/ Mobbing? |Apps? ### Partnerarbeit | Potentiale | Herausforderungen | EKU* | | ---------------------------------------------------------------------------------------------------------------------------- | ------------------------------------------------------------------------------------ | ---------------------------------- | | mit- und voneinander lernen/ gegenseitige UnterstĂŒtzung und Motivation | gemeinsame Absprachen ĂŒber die Gestaltung und das Zeitmanagement ->Konfliktpotential | gemeinsame Erstellung eines Werkes | | Sicherheit fĂŒr den einzelnen SchĂŒler/ die einzelne SchĂŒlerin durch den gemeinsamen Abgleich von Ideen, Lösungswegen etc. (BestĂ€tigung, ErgĂ€nzung oder Korrektur)| Ablenkungen vom eigentlichen Arbeitsauftrag | "Murmelphasen" oder innerhalb der Think-PAIR-share-Methode StĂ€rkung des KlassengefĂŒges, wenn immer neue Gruppen bei der Partnerarbeit gebildet werden.|Konfliktsituationen können entstehen, wenn einige SuS nicht miteinander klar kommen, Unruhe, Unterrichtsstörungen |Apps? ### Einzelarbeit | Potentiale | Herausforderungen | EKU* | | ------------------- | ------------------------------------ | ------------------------------------------ | | interessengeleitet | Einbindung in den Gesamtzusammenhang | Produktion interessengeleiteter Kunstwerke | | Konzentration, Ruhe | Ablenkung | Lesephasen | | IndividualitĂ€t| Verfolung gemeinsamer Lernziele? | individuelle Aufgabenbearbeitung |auch individuelles Feedback von Lehrperson |KritikfĂ€higkeit | Selbstevaluation *Einsatz im Kunstunterricht. Die AbkĂŒrzung wurde fĂŒr die Bearbeitung eingesetzt, damit die Zeile nicht springt.

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