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# 科技藝術的10組關鍵標籤


蔡 宏賢
<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/tw/"><img alt="創用 CC 授權條款" style="border-width:0" src="https://i.creativecommons.org/l/by-nc-sa/3.0/tw/88x31.png" /></a><br />本著作係採用<a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/tw/">創用 CC 姓名標示-非商業性-相同方式分享 3.0 台灣 授權條款</a>授權.
什麼是電子藝術/(新)媒體藝術/科技藝術/數位藝術?
透過10組科技藝術的關鍵標籤的講座,
立即理解通透科技藝術的過去、現在與未來!
#即時編碼(#livecoding)
#互動(#interaction)
#介面(#interface)
#資料實體化(#dataphysicalization)
#駭(#hack)
#虛擬實境(#VR)
#後科幻(#postsciencefiction)
#生物藝術(#bioart)
#食物媒體(#foodmedia)
#後網路(#postInternet)
延伸關鍵字
#衍生藝術(#generaticve art)
#太空藝術(#Space Art)
#人工智慧(#AI)
#生物科技(#bio technology)
---
冠名播出:文化部科技藝術實驗創新及輔導推動計畫
<iframe width="560" height="315" src="https://www.youtube.com/embed/_pQtkpS6Ri4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<iframe width="560" height="315" src="https://www.youtube.com/embed/fwtsrE3sW_k" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* 什麼是媒體藝術/新媒體藝術/科技藝術/電子藝術/數位藝術?
從幾個全球相關的藝術中心名字來看,
* 奧地利電子藝術中心([Ars Electronica Center](https://ars.electronica.art/about/en/),1979),
* 德國媒體藝術中心(Zentrum für Kunst und Medien/Center for Art and Media,[ZKM](https://zkm.de/en),1989),
* 日本 NTT ICC(InterCommunication Center,1990>1997)
* [台北數位藝術中心](http://dac.taipei/en/)(Digital Art Center,Taipei,DAC,2009)
* 媒體藝術 media art 1950年代
* [媒體藝術原論](https://hackmd.io/L4437nG3RjGSBRvo_Mb2fA) 久保田晃弘+畠中實 編 2018年
* [E.A.T.(Experiments in Art and Technology)](https://en.wikipedia.org/wiki/Experiments_in_Art_and_Technology)「藝術與科技實驗」 1960-2001
* [Robert Rauschenberg](https://en.wikipedia.org/wiki/Robert_Rauschenberg)
* [科技藝術的探險家:羅柏特˙羅森柏格](https://jasper75.pixnet.net/blog/post/18051157) 郭昭蘭
* [Billy Klüver](https://en.wikipedia.org/wiki/Billy_Kl%C3%BCver)
* [9 Evenings: Theatre and Engineering](https://en.wikipedia.org/wiki/9_Evenings:_Theatre_and_Engineering) October 13–23, 1966
<iframe width="560" height="315" src="https://www.youtube.com/embed/B0coC9CxER4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* 普普藝術 [POP ART](https://en.wikipedia.org/wiki/Pop_art)
* [Richard Hamilton](https://en.wikipedia.org/wiki/Richard_Hamilton_(artist)#1950s%E2%80%931960s) 理察·哈密爾頓
* 《是什麽使今天的家庭如此不同,如此具有魅力?》Just what is it that makes today’s homes so different, so appealing? (1956)
英國普普藝術之父_理察·哈密爾頓,在他的拼貼作品,“展示了工業發展對家庭生活的影響,濃縮了一個時代的消費文化特徵。”

* 錄像藝術 Video Art
* [從「錄影藝術」的脈絡省視台灣的錄影藝術](http://www.itpark.com.tw/artist/critical_data/29/2157/254) 蘇守政
* 白南準(1932-2006)([Nam June Paik](https://en.wikipedia.org/wiki/Nam_June_Paik),백남준)
* TV Buddha 1974

* 認識媒體:人的延伸(Understanding Media: the Extensions of Man) 1964 [Marshall McLuhan](https://en.wikipedia.org/wiki/Marshall_McLuhan)
#### 科技轉用
#### 技術美學
---
### 即時編碼([Live Coding](https://en.wikipedia.org/wiki/Live_coding#Live_coding))
* code art 編碼藝術
* [software art](https://en.wikipedia.org/wiki/Software_art) 軟體藝術
* [CODeDOC](https://whitney.org/exhibitions/codedoc),whitney artport2002

* [Readme 藝術節](http://readme.runme.org/),2005
讀我軟體藝術節(Reademe Software Art Festival)是一個旅行的媒體藝術節,專注於軟體藝術(Software Art)。藝術節的任務是軟體發展與評論文本,Readme軟體藝術節 幾乎離不開 Runme.org 的網站,這個網站可說是軟體藝術的基礎與寶庫。
讀我軟體藝術節的構想源自2001年的秋天,2002 年於俄羅斯莫斯科(Moscow)開始了第一屆的軟體藝術節(Readme 1.2),由俄羅斯的新媒體藝術家塔特瑞([Sergey Teterin](http://teterin.ru/index_en.htm))擔任藝術節的總監、新媒體藝術家修爾金(Alexei Shulgin)與新媒體學者Olga Goriunova等人則分別擔任策展人。
2003 年於芬蘭赫爾辛基 (Helsinki)舉辦(Read_me 2.3 )、2004 年展於丹麥阿爾胡斯 (Aarhus)、2005 年於德國多特蒙德 (Dortmund) 舉辦 Runme100:Temporary software art factory。
Readme 2004的主題是Software Art and Cultures conference!
readme的軟體藝術節與Alexei Shulgin與Olga Goriunova有密切的關係。
* Algorave: algorithmic dance culture | [Alex McLean](https://en.wikipedia.org/wiki/Alex_McLean) TOPLAP co-founder
<iframe width="560" height="315" src="https://www.youtube.com/embed/nAGjTYa95HM" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [TOPLAP](https://toplap.org/) (The (Temporary|Transnational|Terrestrial|Transdimensional) Organisation for the (Promotion|Proliferation|Permanence|Purity) of Live (Algorithm|Audio|Art|Artistic) Programming) 2004
>路易斯·費爾南多·麥地那 Luis Fernando Medina
* On-the-fly programming
* [Low-complexity art] (https://en.wikipedia.org/wiki/Low-complexity_art) [Jürgen Schmidhuber](https://en.wikipedia.org/wiki/J%C3%BCrgen_Schmidhuber), 1997
* 自由即興 Free Improvisation
* 即時編碼:科藝宅、高空走鋼索還是天才樂手?[Live-Coding: Insider Nerd Art, High Wire Act, or Virtuoso Music?](https://medium.com/@KadenzeOfficial/live-coding-insider-nerd-art-high-wire-act-or-virtuoso-music-9914a9818957)
---
### 互動(Interaction)
#### 互動核心:輸入/輸出 interactive trick:input/output/
#### 原子與位元交融 類比與數位
* videoplace Myron Krueger 1985/1989
<iframe width="560" height="315" src="https://www.youtube.com/embed/dmmxVA5xhuo" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<iframe width="560" height="315" src="https://www.youtube.com/embed/dqZyZrN3Pl0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* Tool's life - minim++: 近森基 Motoshi Chikamori, Kyoko Kunoh - 2001
<iframe width="560" height="315" src="https://www.youtube.com/embed/7dzBexjsWCw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* Kage
<iframe width="560" height="315" src="https://www.youtube.com/embed/FhZSqywtJPs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [The Manual Input Workstation](http://www.flong.com/projects/miw/) Tmema (Golan Levin & Zachary Lieberman),2004

<iframe width="560" height="315" src="https://www.youtube.com/embed/3paLKLZbRY4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
延伸表演版本
* [The Manual Input Sessions](http://www.flong.com/projects/mis/)
<iframe title="vimeo-player" src="https://player.vimeo.com/video/2375302" width="640" height="426" frameborder="0" allowfullscreen></iframe>
* [LEGIBLE CITY](https://www.jeffreyshawcompendium.com/portfolio/legible-city/) Jeffrey Shaw,Dirk Groeneveld 1989

---
### 介面(Interface)
* 芬蘭國寶級先驅 [Erkki Kurenniemi](https://en.wikipedia.org/wiki/Erkki_Kurenniemi)
* [科技與藝術並無二致?Erkki Kurenniemi 和無法想像的未來](https://pansci.asia/archives/128361)
* [DIMI-A](https://120years.net/dimi-helsinki-electronic-music-studioerkki-kurenniemifinland1961-2/)

<iframe width="560" height="315" src="https://www.youtube.com/embed/Ysfg3FfDFmM" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [DIMI BALLET](http://thesoundofeye.blogspot.com/2010/06/erkki-kurenniemi-dimi-ballet-1971.html) (1971)
* DIMI-S
<iframe width="560" height="315" src="https://www.youtube.com/embed/yJjY_BarHhA" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* DIMI-O
<iframe width="560" height="315" src="https://www.youtube.com/embed/d-yHULQ2V5c" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [Tangible Media Group](https://tangible.media.mit.edu/) 石井裕 Hiroshi Ishii

* [音樂瓶 musicBottles](https://tangible.media.mit.edu/project/musicbottles/) 1999
<iframe title="vimeo-player" src="https://player.vimeo.com/video/44545342" width="640" height="480" frameborder="0" allowfullscreen></iframe>
* Beyond Pages [藤幡正樹](http://www.fujihata.jp/) 1995
<iframe width="560" height="315" src="https://www.youtube.com/embed/6Ek2DW7aV68" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [run motherfukcer run](https://v2.nl/archive/works/run-motherfucker-run) Marnix de Nijs, 2001/2004
<iframe title="vimeo-player" src="https://player.vimeo.com/video/20672690" width="640" height="480" frameborder="0" allowfullscreen></iframe>
* 最低極限介面 [minimum interface](https://special.ycam.jp/minimum/navigation/) 2008
<iframe src="https://player.vimeo.com/video/2150521" width="640" height="361" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
<p><a href="https://vimeo.com/2150521">on the fly @ minimum interface</a> from <a href="https://vimeo.com/user901896">Hisato Ogata</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
* uvvy Rudy Rucker

---
### 資料實體化(Data Physicalization)
* 飛行模式 [Flight Patterns](http://www.aaronkoblin.com/project/flight-patterns/),[Aaron Koblin](http://www.aaronkoblin.com/project/about/) 2008

<iframe src="https://player.vimeo.com/video/5369286" width="640" height="360" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
<p><a href="https://vimeo.com/5369286">Flight Patterns</a> from <a href="https://vimeo.com/aaronkoblin">Aaron Koblin</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
* 感測傳達旗號 [Sensor Semaphore](http://tammenpaa.com/sensor-semaphore/) 2011/2017

* [稻浪隨風 Straw in the wind](http://dimensionplus.co/zh/projects/strawinthewind.html) 2017
<iframe title="vimeo-player" src="https://player.vimeo.com/video/223243307" width="640" height="360" frameborder="0" allowfullscreen></iframe>
* [號外景像 Landscape of City Magazine](http://dimensionplus.co/zh/projects/landscapeofcm.html) 2018
<iframe title="vimeo-player" src="https://player.vimeo.com/video/268987718" width="640" height="360" frameborder="0" allowfullscreen></iframe>
---
### 駭(Hack)
#### Bending Tinkering Making Hacking
* 谷歌將吃垮自己 [GWEI(Google Will Eat Itself)](http://www.gwei.org/index.php) Paolo Cirio, Alessandro Ludovico, UBERMORGEN.COM 2005~
202.345.117 Years until GWEI fully owns Google.


* 亞馬遜黑幫[amazon-noir](http://www.amazon-noir.com/)
UBERMORGEN.COM feat. Paolo Ceriu, Alessiandro Luduovicio 2006

* 面對臉書 [Face to Facebook](https://www.paolocirio.net/work/face-to-facebook/) Paolo Cirio 2011

* http://www.face-to-facebook.net/
* 《駭進壟斷三部曲》(Hacking Monopolism Trilogy)
* [Google與Facebook是他的敵人?國際黑客藝術家Paolo Cirio](https://theinitium.com/article/20160627-culture-microwave-paolocirio/)
**「藝術家與黑客所做的有相同之處。但我們不止是破壞系統,也在建構一套新的體系與觀點。我一直以來的藝術創作,也希望能揭露大型公司在網絡裏的權力關係,好像 Facebook 及 Google 等。而這些權力關係又如何導致更多國際間的紛爭與歧見,也是我希望探索的問題。」**
* [作者權轉移:以P2P網路拓樸探測網路集體創作結構的權力移轉](http://www.nhu.edu.tw/~society/e-j/81/81-07.htm) 林欣怡
* 駭涉谷計畫 [Shibuya Hack Project](https://shibuyahack.com/) 2016
* [STREET FURNITURE HACK!!](http://shibuyahack.com/report/streetfurniture.html)

* [駭生物 hackteria](https://www.hackteria.org/)Andy Gracie, Marc Dusseiller and Yashas Shetty 2009
* 自造者運動 maker movement
### 後科幻(Post Science Fiction)
* [Science fiction prototyping](https://en.wikipedia.org/wiki/Science_fiction_prototyping)
科幻原型(SFP)指的是使用科幻小說來描述和探索未來技術及其所帶來的社會結構的想法。2010年布萊恩·戴維·約翰遜(Brian David Johnson)提出。

* [Science Fiction Prototyping: Designing the Future with Science Fiction](https://www.amazon.com/Science-Fiction-Prototyping-Designing-Future/dp/1608456552) Brian David Johnson

* [Genevieve Bell](https://en.wikipedia.org/wiki/Genevieve_Bell)
* Wired.jp SZ
* [「推測區域」(Speculative Zone = SZ)](https://wired.jp/2019/09/14/wired_speculative_zone/)

日文版“ WIRED”雜誌新推出的「推測/思辨區域」(Speculative Zone = SZ)是指對於社會,實作新價值觀的場域。每週設定以促進「推測/思辨」(思索/試作)的實驗為主題,聚集SZ的成員,其次是以匯集能洞察未來10年的展望的長篇為主,編輯部以文章方式來策展。將來透過活動或編輯部門的合作機會,WIRED雜誌將持續以「IDEAS+INNOVATION」為精神價值共同進行實驗,應以社會實作為挑戰的場域,它應該是在社會中實施的挑戰之地。如果您想獲得與您周圍的人與眾不同,獲得真正有價值的資訊,或是如上述希望在社會中進行實現實作,請進入WIRED特別區,加入SZ會員並獲得的護照。來WIRED的實驗區吧....去繳月費吧!
* [Can Sci-Fi Writers Prepare Us for an Uncertain Future?](https://www.wired.com/story/sci-fi-writers-prepare-us-for-an-uncertain-future/?fbclid=IwAR3Ez2tCzIVBZT5IrdAVviW3qcrQb-L3cY0iop2jeFA7QNqOg07SMT2CIEE)
#### 延伸:
##### 科技預測([Technology forecasting](https://en.wikipedia.org/wiki/Technology_forecasting))
---
* ### [虛擬實境](https://zh.wikipedia.org/wiki/%E8%99%9A%E6%8B%9F%E7%8E%B0%E5%AE%9E)(VR,[Virtual Reality](https://en.wikipedia.org/wiki/Virtual_reality))/バーチャル・リアリティ/人工現実/仮想現実
* **iii**(immersion-interaction-imagination)
* Telexistence/
* #### 第一人稱/第三人稱
* 毀滅戰士 [DOOM](https://en.wikipedia.org/wiki/Doom_(1993_video_game)) 1993

* 絕對武力 CS,Counter Strike 1999
<iframe width="560" height="315" src="https://www.youtube.com/embed/HeJyRUgPo30" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* 第一人稱射擊 [First Person Shooter](https://arambartholl.com/old/fps.html) Aram Bartholl 2006

<iframe src="https://player.vimeo.com/video/1256858" width="640" height="481" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
<p><a href="https://vimeo.com/1256858">First Person Shooter</a> from <a href="https://vimeo.com/agoasi">Aram Bartholl</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
* 第二人生 Second Life
<iframe width="560" height="315" src="https://www.youtube.com/embed/DOv2sNUZgD8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* Sansar 2017
<iframe width="560" height="315" src="https://www.youtube.com/embed/dSc5K8eqYuY" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [跨際區 Interzone](http://www.closetoyoufestival.com/interzone.html) Dimension Plus 2018

* 造夢機 [dreamachine](https://en.wikipedia.org/wiki/Dreamachine)
<iframe width="560" height="315" src="https://www.youtube.com/embed/HOZh7oSUY30" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* [within](https://www.with.in/)
#### 延伸:
###
##### [擴增實境](https://zh.wikipedia.org/wiki/%E6%93%B4%E5%A2%9E%E5%AF%A6%E5%A2%83)(AR,Augmented reality)
##### 混合實境(MR,Mixed Reality)
##### 延展實境(XR,Extended Reality)
---
### 生物藝術(Bioart)
* [Joe Davis](https://en.wikipedia.org/wiki/Joe_Davis_(artist))

* GFP Bunny/Alba, Eduardo Kac, 2000

* Common Flowers / White Out ,Shiho Fukuhara福原 志保 (jp) & Georg Tremmel (at) 2009
* [駭生物 hackteria](https://www.hackteria.org/) Andy Gracie, Marc Dusseiller and Yashas Shetty 2009

* 駭生物 Hackteria playaround workshop 2009

<iframe width="560" height="315" src="https://www.youtube.com/embed/hEggLeGLzW4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* 《修復者工作坊》講師:曹存慧 客座:荊偉民、楊雨樵、宮保睿 2019
<iframe width="560" height="315" src="https://www.youtube.com/embed/zjDVcfYCUJk" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
* 勞工[Labor](https://www.paulvanouse.com/labor.html) Paul Vanouse 2019
<iframe src="https://player.vimeo.com/video/320605747" width="640" height="360" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
<p><a href="https://vimeo.com/320605747">Labor-2019</a> from <a href="https://vimeo.com/user25065309">Paul Vanouse</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
* **[看見生物藝術實驗室的各種可能](https://mag.clab.org.tw/bio-art-laboratories/)** 2020/09/21 C-LABO 顧廣毅/宮保睿
### 食物媒體(Food Media)
* [Social Pudding](https://superflex.net/tools/social_pudding) Rirkrit Tiravanija 2003

* 新滿漢全席 顧廣毅,譚君妍 Kuang-Yi Ku,Adelaide Lala Tam,2019

* [黃豆期貨指數](http://dimensionplus.co/zh/projects/soybean.html?fbclid=IwAR3vfqOLUFfe8EtM8x2Iz7ITtB4tDPVACmkzseBIwM1mWhS4v-sEycXCQGw) [SOYBEAN FUTURES](http://dimensionplus.co/en/projects/soybean.html?fbclid=IwAR3vfqOLUFfe8EtM8x2Iz7ITtB4tDPVACmkzseBIwM1mWhS4v-sEycXCQGw) dimension plus 2019

* [黃豆期貨指數資料](https://hackmd.io/EcWPWTUbSYGtGAdF5Um-xQ)
* 文化燉 Culture Stew (hack culture)

<iframe width="560" height="315" src="https://www.youtube.com/embed/W2CpOtu4A9E" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
### 後網路(PostInternet)
* 網路藝術 net.art
* [FORM ART](https://anthology.rhizome.org/form-art), 愛列克斯·薛根([ALEXEI SHULGIN](https://en.wikipedia.org/wiki/Alexei_Shulgin)),1997
* *網路藝術 Net dot Art* 鄭月秀, 藝術家出版,2007
* 後網路 2008-2018
* [菌絲網絡社會(Mycelium Network Society)](http://myceliumns.net/)

* [台灣菌絲網路社會 FB](台灣菌絲網絡社會 Mycelium Network Society Taiwan)
* 性別
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文化部「科技藝術實驗創新及輔導推動計畫」科技藝術系列講座
講師:
蔡宏賢
Dimension Plus 創意總監、第58屆威尼斯國際美術雙年展臺灣館〈3x3x6〉製作總監。
時間:
2020年7月24日 pm19-21
地點:空總臺灣當代文化實驗場(台北市大安區建國南路一段177號)
2019年11月8日 晚上18:30-21:30
地點:臺灣音樂館視聽室 (臺北市士林區文林路751號B1)