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    # www.反轉資料庫.commons ![共域門口小檔.001](https://hackmd.io/_uploads/SyZMeqKw1e.jpg) 計畫首頁 Home Page: https://hackmd.io/@counter-archive/entry ### 行為展演 Public Performances [核爆當機的他她它:行為表演 Performing Counter-archives: Another Glitched Ava她r Goes Nuclear ](https://www.youtube.com/watch?app=desktop&v=W-Q3jWiDgk0) ### Curatorial Statment Version1 文/策展人 [黃祥昀](https://hackmd.io/di-kxa0kQ4SRA7ydhpJxFg?view) ([雲的藝評](https:///hackmd.io/@cloudscapemediaartplatform/landingpage)) 透過結合「線上網路藝術」與「線下行為表演」,這場展覽試圖反轉傳統資料庫的概念,並開啟對資料庫政治的批判性思考。展名是由一個不存在的網址組成,邀請藝術家運用「數位肉身」與「參與式科技」創建另類的資料庫,反思科技結構中,由性別、殖民與資本主義所形成的多重權力關係。 展覽從「脆弱資料庫」、「肉身資料庫」、「開源資料庫」、「AI資料庫」四個主題切入,探索被消失的「脆弱資料庫」所面對的(數位)殖民處境與知識生成的權力系譜,並延伸出無政府主義資料庫的概念;由親臨現場的身體所組成的「肉身資料庫」,則拓展出擾動主流陽剛科技的賽博女性主義路徑;「開源資料庫」以共同協作的方法分享知識,並發展出關注性別偏誤議題的社群組織;AI資料庫的主題,則是透過遺忘與清理資料,反思演算法治理和人機合作的未來。整體而言,展覽希望讓那些被消失、被忽視、被刪除、被壓迫的聲音,可以有一個發聲空間,一起以「共域」(commoning) 的方法,反轉科技霸權。 這個動態的心智圖是實驗共域想像的嘗試,呈現出展覽論述背後流動的理論框架與開放的詮釋空間,並邀請公眾共同協作參與HackMD。 <iframe width="768" height="432" src="https://miro.com/app/live-embed/uXjVN2B0sUc=/?moveToViewport=-16828,-11242,11416,5440&embedId=30021042036" frameborder="0" scrolling="no" allow="fullscreen; clipboard-read; clipboard-write" allowfullscreen></iframe> Curator [Emily Hsiang-Yun Huang](https://hackmd.io/di-kxa0kQ4SRA7ydhpJxFg?view)([Cloudscape Media Art Platform](https:///hackmd.io/@cloudscapemediaartplatform/landingpage)) Turning an exhibition into a counter-archive serves as a starting point for deconstructing archival politics. The exhibition, whose name refers to a non-existent URL, integrates online and offline spheres and features artists who use their bodies and community-based technologies to create alternative archives. Their works critically reflect on patriarchal infrastructures and seek to decolonize dominant narratives shaped by cultural imperialism and platform capitalism. Through the themes of fragile, corporeal, open-source and AI archives, the exhibition explores postcolonial sound art archives and anarchivist practices, embodied cyberfeminist archives, open-source communities addressing online archival gender bias, and an expanded definition of archives as datasets, including issues of future human-AI collaboration and algorithmic governance. Collectively, the artworks highlight what has been lost, overlooked, diminished or oppressed, resisting technological hegemony by exploring alternative forms of commoning. In the spirit of the commons, this mind map captures the evolving curatorial framework of the exhibition as one open to interpretation and co-creation. Contribute your insights by co-editing and expanding the map on HackMD. <iframe width="768" height="432" src="https://miro.com/app/live-embed/uXjVN2B0sUc=/?moveToViewport=-16828,-11242,11416,5440&embedId=30021042036" frameborder="0" scrolling="no" allow="fullscreen; clipboard-read; clipboard-write" allowfullscreen></iframe> ### Curatorial Statment Version2 www.反轉資料庫.commons同時是計畫名稱也是一個不存在的網址,將代表商業公司的.com轉變成代表共域的.commons,揭示計畫朝向「反轉資料庫」(counterarchive)的方向發展。透過開源文化、現場/行為藝術、網路/網絡藝術的交往碰撞,探索數位時代中的資料庫概念,如何在「留下」與「遺忘」的權力協商中,發展出共域的方法論。以(1)脆弱資料庫、(2)肉身資料庫、(3)AI資料庫為主題,分別討論拉丁美洲的後殖民聲響與網路藝術資料庫、非西方中心且開放的賽伯女性主義資料庫、最後聚焦於資料庫的擴延定義:資料集(dataset),討論AI生產的錯誤或誤導訊息與資料下毒現象,並思考與想像機器學習遺忘和開源藝術實踐的未來。 www.counterarchive.commons is a project whose name refers to a non-existent URL that transforms .com, which represents commercial companies, into .commons. Positioned at the intersections between open source culture, live/performance art, and internet/net art, the project explores how the concept of archive in the digital age can develop a methodology of commoning when it comes to the negotiation of the powers of "remembering" and "forgetting". Under the themes of fragile archive, corporeal archive, and AI archive respectively, we will discuss postcolonial sound art and internet archives in Latin America, non-western and open archives of cyberfeminism, and, finally, an expanded definition of archive as dataset, dealing with AI-generated misinformation, disinformation and data poisoning, where we will reflect on and imagine the future of machine unlearning and open-source art practices.

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