# Zoom in 集會時間表 Schedule of the Zoom in

### September 10, UTC 14:00
- **胡意蕊 Iris Yirei Hu**
尚未決定。 我作為藝術家的作品可能啟發了一系列問題。 這些問題可能會提供一個工作框架，反映出與土地和人民的更謹慎接觸。 因此，這不是關於一種技術或技能的分享，反而是更多的引導反思的時間。。
Haven't decided yet. Probably a set of questions that I generated through my work as an artist. The questions may provide a working framework to reflect upon a more careful engagement with land and people. So it's less a technique or skill share, but more of a guided time of reflection.
- **施惟捷 Shih Wei-Chieh**
我想簡短的介紹在過去2017, 2018主辦部落對抗機器的經驗，和一些結合藝術和社會計劃的反思。在這之後我想簡短的介紹兩種跟「染色」有關的技術。
I'd like to give a short overview of Tribe Against Machine 2017, 2018. Simple concept of DSSC (dye sensitized solar cell), and simple explanation of laser dye.
- **Zohar Messeca Fara**
低成本的可饒式的電路貼片，還有用明膠、酸性矽膠、橄欖油製成的替代塑膠低成本LED手環。
Fabrication of a DIY low cost flexible sticky PCB and a LED bracelet made of acetic silicone + Gelatine and a touch of Olive Oil.
- **陳翊羽 Yi-Yu Chen**
Hello! I am Yiyu, a fashion designer who also do some weaving and natural dying. I get my BA Fashion Design degree in Shih Chien University in Taipei, and obtained my MA Fashion Design in ArtEZ Arnhem, the Netherlands. I did several internships and temporary jobs in fashion houses in Europe; after moved back to Taiwan, I work as a freelance designer, doing both commercial projects and personal works. My personal projects mainly inspired by the relationship between human and nature, I am interested in Anthropocene and Anti-Anthropocentrism. Fashion for me is appealing in both substance and significance level, the fact that fashion is always evolving with society and reflecting civilized life, make it an ambiguous subject that keep evolving, and keep including other subject into itself. While doing experimental works, I hope to generate a more sustainable working method with couture and craftsmanship by reimagine production process and materials. With my current works, I try to combine different production phases such as weave embellishments with hand weaving looms and weave directly into cutting patterns, I try to demonstrate a possibility of restructure producing process.
你好！我是服裝設計師翊羽，同時也在學習梭織和天然染。我取得了台北實踐大學的服裝設計學士學位和荷蘭ArtEZ Arnhem服裝設計碩士學位後，曾在歐洲的服裝品牌做過幾次實習和臨時工作。回到台灣後，目前以獨立設計師身份同時進行商業項目和個人作品創作。我的個人作品主要受人與自然之間關係的啟發，對人類世和非人類中心主義感興趣。對我而言，服裝在物質層面和意義上都值得探討，因為服裝和身體裝飾的潮流一直在與社會並行發展、反映著文明生活的面貌，這也使它成為不斷演變的曖昧主題，並持續將其他主題吸納其中。在製作實驗性創作時，我希望通過重新推想生產過程和可能材料，來催生同時具備高級時裝工藝和可持續性的工作模式。近期的創作中，我試著在手工梭織的同時加入裝飾物或類似刺繡等後加工程序，直接織就版型裁片，將不同的生產階段結合起來，試圖顯示重組生產過程的可能。

### September 11, UTC 14:00
- **蘇義傑 EJ So**
EJ So於2014年在東倫敦創立了手工訂製的鞋履品牌KAZUO CRAFT，開始了自己的製鞋之旅。 在日本大阪的製鞋業工作了幾年後。他正在通過英國傳統做法來詮釋日本式的工藝鞋，通過選擇設計和首選材料為鞋迷提供現代創意。 結合材料和現代概念，革新傳統，經典車型。EJ So也是台北共作空間Acidlab的創始人，現在致力於製作手工作坊，實驗性展覽或活動。
EJ So started his own shoemaking journey by creating KAZUO CRAFT, a hand-made bespoke shoe label in 2014 in East London. After working several years in shoes industry in Osaka, Japan. He is translating the Japanese craftsmanship through the English tradition, delivers a modern originality to shoelovers by giving choice of the design and a preferable materials. Renovating traditional, classic models with mixed material and modern concepts. EJ So is also the founder of Acidlab, a co-working space in Taipei, and now devote himself to his passion for handmade workshops, experimental exhibition or events.
- **王禎鈺 Chen-Yu Wang**
我最近正在學習社會設計碩士學位，但是在荷蘭，社會設計可以以藝術和個人的方式發展，主要是從質疑開始。 我想討論1-3種在台灣被遺忘或似乎迷信的儀式。 然後，請其他參與者將自己的經驗體現在一些共同的原則或視覺表演準則中，以進行進一步的討論。
I am studying master in social design recently, but here in Netherlands, social design could be developed in artistic and personal approach, mainly starts with questioning. I would like to discuss 1-3 rituals that are forgotten or seems superstitious in the taiwan. Then ask other participants to embody their experience in some shared principles or visual performing guideline for further discussion.

### September 12, UTC 14:00
- **Ed Cunneen**
腦電圖和神經反饋適用於創造性應用
EEG and Neurofeedback for creative applications
- **Linh My Truong**
我想先介紹我的流沙箋練習。我將討論的技術是用Arduino微處理器進行冷光線編織。
I will start with an introduction to my suminagashi practice. The technique I will discuss is EL weaving with Arduino programming.
- **Fereshteh Toosi**
仍在做出決定，但可能會分享與我的石油研究相關的沉思實踐。
I will share my "Oil Ancestors" project and guide a contemplative practice related to my petroleum research.
- **姚睿蘭 Yao Jui-Lan**
https://www.instagram.com/yaoyaya.art/
背景／　我的背景包含了水墨書畫篆刻，以及科技藝術。我的創作方法比較是跨領域的與不同學科或不同技術背景的人分工合作，有時會是跨學科的概念參考，有時也會採取發包製作的模式。
作品／　上個階段(2018-19)的創作著重在台灣在地的社會議題、意識形態與民間信仰，並以機械互動裝置呈現；近期的興趣主要落在社會議題的網路傳播敘事、科學哲學與電流的聲音或編碼的聲音。
近期／　最近正在努力將之前作品內部的動裝置的電路給重製出來，透過學習專業電路製圖軟體kicad繪製電路圖(並正面臨一些學習上的挫折)，希望可以試著把電路的物件特性、電路圖的符號特性、資料庫特性...當作這個階段的創作主體。kicad的部分也是我近幾個月每周三在openlab.Taipei與社群進行的內容。這是關於我大概的介紹，但有關技術分享與交流的部分我可能暫時也還沒有比較具體的想法，我們可以先聊天再看看：)
Background/ My background includes ink painting, calligraphy, seal cutting, and technological art. My method of creation is a cross-field collaboration with people from different disciplines or different technical backgrounds. Sometimes it is a cross-disciplinary conceptual reference, and sometimes a contract-based production model is adopted.
Works / my creation of the previous stage (2018-19) focused on Taiwan’s social forms, ideology and folk beliefs on the surface, and presented them in mechanical interactive installations; recent interests mainly fall in social forms of online communication narratives, scientific philosophy With current sound or coded sound.
Recently/ recently, I am trying to remake the circuit of the moving device in the previous work. By learning the professional circuit drawing software kicad to draw the circuit diagram (and is facing some learning setbacks), I hope I can try the object characteristics of the circuit, the circuit diagram Symbol characteristics, database characteristics... Take this stage of the creation of the main body. The part of kicad is also what I have done with the community every Wednesday in openlab.Taipei in recent months.
This is a general introduction about me, but I may not have any more specific ideas about technology sharing and communication for the time being, we can chat first and then take a look:)
- **Maria Jose Rios Araya**

### September 13, UTC 14:00
- **Victoria Manganiello**
我有興趣討論食品，紡織品和技術的相交方式。 也許有生物實踐，社會研究，表演和/或互動對象。 我很高興能合作！
I am interested in discussing the ways that food, textiles and technology intersect. Perhaps with bio-practices, social study, performance, and/or interactive objects. I am excited to collaborate!
- **楊偉林 Yang-Wei Lin**
藍染，紙藝，樹皮布
Indigo dyeing, handmade paper, tapa cloth
- **Audrey Briot**
我將簡單介紹我對紡織品手工藝的興趣，並帶到我正在進行的計劃和相關技術，如我將在維基上分享的導電羽毛和刺繡，謝謝！
I will quickly present my interest for craftsmanship in textiles, which will led me to present my ongoing project and the technique that I will post on the technique exchange on conductive feathers and embroidery. Thank you !
- **連威棣 Ling Wai-Ti**
從設計切入藍染工藝的啟發與觀點

### September 14, UTC 14:00
- **AesunKim**
具互連性和可拉伸性的材料
Interconnection & stretchability
- **Giulia Tomasello**
與科技結合的生物紡織品配方-與其如何影響我們的社會距離！
biotextiles recipe combined with technology - impacting social distancing!
- **蕭俐佳 Li-Chia Hsiao**
色彩是我紡織生活中的重要組成部分。大部分作品受流行藝術文化精神的影響。使用鮮豔的色彩使紡織品更生動。在我的紡織品中，我專注於使用CAD刺繡技術並結合各種材料的多種混合介質，使刺繡既精緻又有趣。我獨特的審美和幽默感融合到了繡花紡織品中，這使紡織品變得俏皮和吸引人。
Colors is an important part in my textile life. Most of the works are influenced by the spirit of POP ART culture. Using vibrant colors to make the textiles more lively. In my textile, I focus on using CAD embroidery technic combines with the wide range of mix-media on different materials to make the embroidery become delicate but also fun. My unique sense of aesthetic and humor are blended into the embroidery textile, and it brings the textile becomes playful and attractive.
- **陳儀霏 Yi-Fei Chen**
分享技術尚在決定中，看了第一天的講者後有了一些想法。
我將會用"CoV19 collection"這個在武漢肺炎時期創作的作品，作為範例，來說明我如何透過物件去討論社會層面的議題，藉此希望能帶來一些刺激跟討論。
Haven't decided yet, but the first day sharing meeting gave me some ideas.
I will share my current project "CoV19 collection" as an example, which I use to explore the human and social needs based during pandemic through wearable objects. I wish to inspire you or sparkle discussions with this project.
- **Tauan**
以傳感器，控制器和多媒體作為自我表達的工具
Sensors, controllers and multimedia as a tool for self expression

### 集會流程 Meeting rundown
* 20 mins - 分享者一 Presentator 1
* 20 mins - 分享者二 Presentator 2
* 20 mins - 分享者三 Presentator 3
* 20 mins - 分享者四 Presentator 4
* (10 mins break )
* 30 mins - 問答時間 QnA with other participants

### 表單回應
https://docs.google.com/spreadsheets/d/1VHgymv7qVHX04OK9C0KMrcN1NfPMA3osAZZZ-Cyta4Q/edit#gid=102729754