# 活動ideas

「來自未來的朋友」（Having Friends in the Future, HFF）是由國立臺灣工藝研究發展中心發起主辦，由部落對抗機器團隊組織設計的實驗計劃。此次以台灣工藝社群和電子織品、材料科學、文化保存工作者之間的交流為主體，以線上駐村的形式創造遠端討論，且期待此平台和友誼在本次計劃關閉之後仍能延續。透過以線上駐村創造共同記憶的實驗形式，參與者在線上交換中將經驗語言和文化的交換、工作時差、使用共同協作網路工具協助知識分享。計劃展覽預期經由利用數位即時協同創作工具的本質，所有的互動討論將更即時性的開放於網路上，公開邀請民眾參觀為期數月的交流創作過程，使交流過程成為展覽本身，而非僅呈現最終的結果輸出。

"Having Friends in the Future" (HFF) is an experimental project sponsored by the National Taiwan Crafts Research and Development Center and organized by the Tribal Against Machine. We propose a short-term international online residency based on the exchanges between the Taiwanese craftsmanship community and practionist of e-textile, materials science, and cultural preservation. We hope that this platform and friendship will continue after the event. By the format of online residency, we hope to create a common memory, participants will experience the exchange of language and culture, working together online with time differences, and the usage of collaborative internet tools to assist in knowledge sharing. “Everyday is open studio”, because of the essence of the online collaboration tools, the format of the project exhibition is expected to be more opened and interactive in a more immediate manner. The publics are invited to visit the months-long exchange process, making the communication process the exhibition itself, rather than just presenting the final outcome.

部落對抗機器（Tribe Against Machine）是一項創新社會設計項目，其成員視任務不定期增減，旨在和藝術家、黑客、科學家探索與傳統的文化創建通道的方式，從而創造兼具現代性和多樣性的文化網絡社群；項目形式包括組織促進跨學科藝術和傳統文化合作的工作坊、遊牧式的「營」，包括線上的，或實際前往開發中地區和社會計劃合作、在古老作法中尋找材料設計的靈感，利用文化和藝術形式建立不同社會間的共同語言等。由此產生的交流不僅涉及技能和技術，還涉及對手工業世界的生產系統和工業世界的時間差異的沉浸式體驗。儘管參與者對技能交流感到興奮，例如台灣部落的植物學知識為對生物紡織品設計帶來了靈感，以及導電縫線的應用激發了傳統工藝者，開發中地區的溫室創建刺激了黑客和生物藝術的在社會設計的參與。

Tribe Against Machine is an experimental innovative social design project in Taiwan and aims to create opportunities for artists, hacker, activist to interact with isolated communities that still live by their inherited traditions, in order to create an rich and constructive space for exchange, to promote cultural exchanges between societies and develop new social production systems through science and art workshops, nomadic camp system, or radical participation in existing activities in local communities. t was not only about skills and technologies, but also involved an immersive experience in the difference of sense of time between the production system of the crafts world and industrial world. Although the participants were excited by the skill exchange – such as the tribal knowledge of botany bringing up inspiration to participants who have interests in bio textile design, and how conductive threads application inspired the traditional craftsman.

[figma entry](https://www.figma.com/file/bBRe4R9deXUdIcz9hIohWk/HFF-2020?node-id=0%3A1)

[徵選問卷表單](https://docs.google.com/forms/d/1sjO0DYb-duQ8Bi2JQhyLpyb955wfIHyL-KxKGvgf_XI/edit?ts=5f23618f)

References
[記憶術](https://en.wikipedia.org/wiki/Art_of_memory) The Art of Memory, mnemonic, a device such as a pattern of letters, ideas, or associations that assists in remembering something.

[涵化（enculturation）濡化（acculturation）](https://baike.baidu.com/item/%E6%BF%A1%E5%8C%96)

[擴展思維](https://en.wikipedia.org/wiki/Extended_mind_thesis)