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# System prepended metadata

title: SPICE Manifests working group

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# SPICE Manifests working group

## 1. Scenario 

**Name: Social media users' post triggered by a DMH social media campaign**

### Script

The social media managers of DMH launched an Instagram campaign to invite people to share stories about their finnish design objects. The campaign was officially launched in the context of a bigger event (*sometallennuspäivä* ~ tr. consumption recording day) occurring in September 2020. The campaign was launched with a [post](https://www.instagram.com/p/CFKIGypBG7C/) by DMH curators. 

![](https://i.imgur.com/DdChb0t.jpg)

> Translation (Google translate): Can you find this classic of Finnish design in your home? A post made from your own Aalto vase can now become part of the museum's collection!
> 
> This week on Friday 18.9. namely, the first day of recording of the Design Museum begins. The recording day is related to the museums' joint contemporary documentation trip, where almost 50 museums from different parts of Finland record today's consumption. The participating museums have chosen the recording perspective and destination according to their own industry and mission.
> 
> The familiar Aalto vase has been chosen as the Design Museum's first recording object. You can take part in the rapture by publishing a picture of the Aalto vase in your home on your own account on Friday. In connection with the picture, say something about your item: Where it was obtained from or from whom it was obtained. Detailed instructions for participating can be found at @designmuseo_en highlights.
> 
> Images published on Some during Friday will be shared in the stories of the Design Museum’s Instagram account and will be saved as a permanent part of the Design Museum’s collection. So by participating in the recording event, you will get your own somepost into the national design collection!
> 
> The picture shows the Aalto vase from 1936 (Rauno Träskelin), also known as the Savoy vase designed by Alvar Aalto. You can read more about the Aalto vase in the picture on the Design Museum's website. You can find the link in the bio.
> 
> With the contemporary documentation trick, museums want to present and promote contemporary recording as part of their collection work. The capture is organized by the museums' national recording and collection cooperation network TAKO.
> 
> In the post curators include explanations of the event and an example of museum object with a brief historical/curatorial description. Users are invited to publish pictures and stories about their finnish design objects. Curators inform participant that their pictures will be stored and become part of the museum's collection.

#### Post-processing activities

After the campaign is over, IG users can **explore** the posts produced by other users and can interact with those. Curators **select** users' posts for being included in their catalogue. 

Some tools are used to automatically **annotate** selected posts with information about sentiment, emotion, intention, and related museum objects.

### Citizen Curation Object 

**Name: Elina's post on the Savoy vase**

Elina posted a picture and a story about her reproduction of the Sovoy vase in this [Instagram post](https://www.instagram.com/p/CFRCOXjBBDB/). 

![](https://i.imgur.com/X4rBwYk.jpg)

> Translation (Google translate): With this post, I am participating in the Design Museum's sometime recording day, which is related to the museums' joint contemporary documentation trip. Through the rapture, museums want to present and promote contemporary recording as part of their collection work. The rapture is organized by the museums' national recording and collection cooperation network TAKO. Here is the story of my Aalto vase:
> 
> I received the Aalto vase shown in the picture as a student gift. The very next autumn I started studying folklore at the University of Helsinki and the Aalto vase traveled to Helsinki with a moving load. There was limited space in the small studio, so for the next six years the Aalto vase was on the open shelf of my mini-sized kitchen and I stored the coffee bag filter bags in it. I dare not even guess what Alvar Aalto would have thought. After years of study, life progressed and home squares grew address by address. Nowadays, filter bags no longer need to be stored in vases, so every spring and winter I buy tulips and put them in an Aalto vase.
> 
> #kulutuksentallentajat 
> #nykydokumentointi 
> @designmuseo_fi 
> #designmuseo 
> #aaltovaasi 
> #aaltomaljakko 
> #savoyvaasi 
> #savoymaljakko 
> #alvaraalto 
> #finnishdesign 
> #designclassic 
> @takoverkosto 
> #takoverkosto



#### The user story

She explicitly mentions that she is participating to the campaign of the Design Museum of Helsinki.

She tells the story of the vase recalling her memory: how she got it, where it has been placed over time, what was its function over time, and where it is now. The story of the vase is a metaphor of her life.


### Manifests

We envision manifests for describing:
 
 * the museum object relevant to the citizen curation object at hand
 * the citizen curation object
 * the script for triggering the user interaction

#### 1. The museum object

TODO (include from prior conversation: Topology) 

---

#### 2. The citizen curation object

In **bold** the values that apply to this scenario.

###### Settings

*The setting of the user interaction.*

 * type : \[**remote**, in presence\];
 * trigger : \[**social media campaign**, workshop with artists, exhibition visit\];
 * took place at : \[**user's setting**, museum\];

###### Activities

*The activities performed by the user while sharing and by curators on the shared content.*

**Controlled vocabulary:** \[Annotation, Tagging, Collecting, Selecting, Photographing, Audio Recording, Video Recording, Storytelling, Like/Dislike, Emo-tagging, Commenting, Editing, Geolocalization, Relating, Linking, Bookmarking\]

 * user : \[**Tagging**, **Collecting**, **Photographing**, **Storytelling**\];
 * post-processing : \[**Emo-tagging**, **Linking**, **Bookmarking**\];

NB. post-processing activities refer to activities that have been performed on the resulting citizen curatorial object rather than the original activities outlined in scripts for triggering the interaction (which are described in the manifest for scripting).



###### Content

 * parts : 
     * part 1 :
         * type : text ;
         * content : "Osallistun tällä postauksella Designmuseon sometallennuspäivään, joka liittyy museoiden yhteiseen nykydokumentointitempaukseen...";
         * translation (en) : "With this post, I am participating in the Design Museum’s sometime recording day, which is related to the museums’ joint contemporary documentation trip...";
         * emotion : 
             * values : \[happiness, shame\];
             * confidence score : val ;
             * classification system : classifier_ID ;
             * agent : annotator1_local_ID ; 
         * sentiment : 
             * values : \[positive\];
             * confidence score : val ;
             * classification system : classifier_ID ;
             * agent : annotator2_local_ID ;
         * intention : 
             * values : \[share a memory\];
             * confidence score : val ;
             * classification system : classifier_ID ;
             * agent : annotator3_local_ID ;

    * part 2 : 
        * type : image ;
        * url : URL of the image;
        * image matching : 
             * values : \[museum_object_ID\];
             * confidence score : val ;
             * classification system : classifier_ID ;
             * agent : annotator4_local_ID ; 
         
         * related museum object :
             * object 1 : 
                 * id : museum_object_ID ;
                 * museum : museum_ID ;
                 * name : Savoy vase ;
                 * relation type : \[reproduction\] ;

**TODO**: 
 * Size, weight, etc ... (Digital objects)
 * Story/narrative about artifact
 * part/whole relation (CCO and museum object)
 * generated comments by other users

---

#### 3. The script

*From P.M.'s notes*

###### Users and roles

**Controlled vocabulary** : \[Workshop leader, Teacher, Workshop attendee, Local library staff, Curator, Carer, Social media user, Social media manager, LIS interpreter\]

 * user: 
     * user 1 : 
         * id : user_local_ID;
         * role : Social media user ;
         * activities : [**Tagging**, **Collecting**, **Photographing**, **Storytelling**]; 
         * at time : YYYY-MM-DD ;
 * curator :
     * curator 1 : 
         * id : curator_local_ID;
         * role : Social media manager ;
         * at time : YYYY-MM-DD ;
 * post-processing : 
     * agent 1 :
         * id : annotator1_local_ID;
         * role : AI agent ;
         * activities : [emotion annotation]  ;
         * at time : YYYY-MM-DD ; 
     * agent 2 :
         * id : annotator2_local_ID;
         * role : AI agent ;
         * activities : sentiment annotation ;
         * at time : YYYY-MM-DD ; 
     * agent 3 :
         * id : annotator3_local_ID;
         * role : AI agent ;
         * activities : intention annotation ;
         * at time : YYYY-MM-DD ;
     * agent 4 :
         * id : annotator4_local_ID;
         * role : AI agent ;
         * activities : image matching annotation ;
         * at time : YYYY-MM-DD ; 

NB. Curator roles refer to whom triggered the interaction. Post-processing roles refer to curatorial interventions outlined in **curator activities**. TODO: add these roles to the controlled vocabulary.




 * roles curator, teacher, student, visitor. 
 * Sequential, temporal **stages**. For example, in the first stage the curator may set up the task (e.g. choose the artworks to be used). In a second stage, citizens may be able to write stories about the artworks. In a third stage, the curator may analyse the citizen contributions. An administrator (e.g. the curator) would have the privileges to set and change the current stage of the script. This could be defined as a special type of role (e.g. stage setter). 
 * **Activities** could include making a collection of artworks, telling a story, tagging an artwork. 
 * An activity can have an **activity status** depending on the stage of the script and roles of the user

Other aspects include:
 
 * **Purpose** What is the script for? For example the script could be an educational activity for school children, collecting opinions, sharing family memories, community building, etc. 
 * **Setting** When and where can the script be used? For example, at home, at school, in the museum. The script might be appropriate for (e.g. thematically linked to) certain times of year (e.g. winter) or religious festivals. 
 * **Technical requirements** The script might have certain technical requirements, e.g. a smartphone with a camera, a touchscreen, a screen above a certain size, etc. 

###### Tools for interaction

**Controlled vocabulary:** \[Web site, Mobile App, Social Media Platform, Physical, VR app, Mozilla Hubs site\]

 * tool 1:
     * id : local_ID ;
     * name : Instagram ;
     * type : **Social Media Platform** ;

(from workflow)
 * Source 
 * Output 
 * Agent & Role 
 * Origin/Target 
 * Time 
 * Place 
 * Activity 
 * Control Structure (Sequence, Alternatives)
 * Control Flow (Events, Conditions, Iterations, Preconditions, Postconditions)
 * Assets and its role
 * Stop (from TourML)
 * Script
 * Workflow Phases:
     * Encounter with CH object
     * Formulation of interpretation?
     * Sharing the interpretation
     * Reacting to a interpretation
     * Enriching interpretations
     * Archiving the interpretation



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#### 4. Complete example