# 數位當代藝術加密貨幣交易所
李士傑，Xtrea Inc. Taiwan，Hongkong Microwave Art Festival version 2018.10.26
## 系列工作坊
- [當代藝術數位製造與流通工作坊](https://hackmd.io/MD_MeKKITz2GUltK5r1cQw)
- [數位當代藝術加密貨幣交易所：去中心化設計，構想與計畫（Microwave Art Festival, HongKong）](https://hackmd.io/s/HyNARadW7)
## 暖身與前言
### 簽到與介紹
- 李士傑，Xtrea Inc.
- 網際網路文化行動者，數位典藏 / 數位文化，跨領域工作者
- 我的[簡介資訊](http://work.ilyagram.org/docs/self)
- 重新設計當代藝術的創作與流通方式
- 參與學員請留訊息在此
- Jimmy, 25. Content creator. Particioner in marketing. Studied Cultural and Creative Industries. Interested in contemporary art, and would like to know how it has to do with blockchain.
- Ellen, artist and curator, interested in social innovation and technology.
- Sandy, graphic designer, studying International Festival and Event Management. would like to know more about blockchain, always think that technology can enhance communication with people each other and improve the living.
- 請切一個版本，就可以開始做自己的計畫
### 多層次的文化藝術：政治指涉
- 當我們在談論「文化藝術」的時候，我們在談論什麼？
- 非常傳統的被動型互動關係：補助藝術創作、表演作品展演
- 藝術管理，展演流通，典藏，市集
- 更為延伸的應用：時尚，產業，教育，社區營造，社會批判
- 科技介入文化藝術
- 變成成本計算中的一個項目
- 溝通的過程
- 作品本身
- 作品系統的整理與處理
- 作品生命週期與保存
- 作品的象徵交換（意義流、資訊流、金錢流）所在場所
- 作品集體的類型管理
- 後設的文化政策
- 廣義的文化（科技）政治
- 透過跨越層級來創造能動性（agency）
### 重新設計當代藝術創作與流通形式+
#### 當代藝術的核心意義與挑戰可能性
- Tantalum Memorial 的啟發
- 不僅僅是 Cosplay（低估 Cosplay 的巨大動能）
- tableau vivant 栩栩如生畫作真人表演
- 透過固定姿勢凝聚與傳遞力量（法國哲學家傅柯，《規訓與懲罰》）
- 小說寫實主義到遊戲寫實主義（日本文化評論者東浩紀）
- 不僅僅是搬移身份勞動到另外一個空間場域
>
> 「....這幾年台灣不少展覽、只是在進行身分或場域搬遷的問題（ 把非藝術家搬到美術館、科學家或醫生開始扮演科學家 ）。」
>
> 賴火旺 https://www.facebook.com/laihowan/posts/10216249914059260
- 沿著思維系統，建構 make-believe（affordance，J.J.Gibson）
- Sara Friend 的作品 Perverse Affordances
- [冷體計畫 Project Coldware](https://www.flickr.com/photos/ilyaericlee/sets/72157677519832666)
<a data-flickr-embed="true" data-footer="true" data-context="true" href="https://www.flickr.com/gp/ilyaericlee/x0KjKa" title="IMG_3673"><img src="https://farm1.staticflickr.com/166/30686374734_8b5909a200_k.jpg" width="1536" alt="IMG_3673"></a>
<a data-flickr-embed="true" data-footer="true" data-context="true" href="https://www.flickr.com/gp/ilyaericlee/tV8Tz4" title="IMG_3676"><img src="https://farm1.staticflickr.com/523/31380187462_e14bd947ba_k.jpg" alt="IMG_3676"></a>
- 串接不同的體系，讓他們能夠銜接與對話，甚至運作（works）
- 你們（第一次）看到當代藝術作品的感動
- Mongrel，National Heritage 「國/民族傳承」
- 互動中創造（內省的反身）知識
- 為何需要重新連結這樣的體驗？
- 文化與藝術變成一種需要挑戰的建制（establishment）
- 創作是一種整體性的「反應」
- 繞過管制與控制，打破區域性的限制
- 科技的破壞性力量被馴化成為畫筆、油彩
- 想帶回組織什麼具體方案？
- 我的組織提供哪些公共服務？為何他們會信任我？
### 把當代藝術帶入資訊社會
- 0927-28 〈合作松2：技術的合作，合作的技術〉，賽馬會傷健營
- 主婦聯盟
- 食物銀行
- 中都農合
- 花東農業平台
- G0V
### 「知汝密幣」 Know Thy Encrypted Currencies +
#### 沒有未來的比特幣與加密貨幣
- Medium: [Why Bitcoin and Crypto Have No Future](https://medium.com/@joshromportl/why-bitcoin-and-crypto-have-no-future-4f95980bb774?fbclid=IwAR0pRY1H2GQekFUSlJyGzUSzWy7DNilZG1aRX8C18t1iXQxVFmL0COEDBcM)
### 去中心化設計 Decentralized Design
#### 去中心化的重要性
- Medium: [Why decentralization could prove the most disruptive tech megatrend of the next decade.](https://latest.13d.com/decentralization-megatrend-disruptive-tech-tim-berners-lee-369fafc82068)
> The point being, decentralization is not just an ideal, but the framework around which the industries of the future will be built. Blockchain is no doubt the key-enabling technology and major scalability breakthroughs are required to achieve some of the decentralization movement’s loftiest goals, whether frictionless transactions or a truly decentralized social network. However, decentralizing innovations are already being deployed. Everything from gaming, energy, and cyber security to fintech and healthcare appear ripe for short-term decentralizing disruption. To identify the technological winners and losers of the next decade, no theme may provide a better roadmap sector-by-sector than decentralization.
----
## 當代藝術加密貨幣交易
### 界定問題
- 雙方，或多方的關係？
- 隱含的「平台資本主義」（Platform Capitalism）
- 文化藝術，與經濟形式之間的關係
- 公共財（Commons）想像的不同
- 國家獨資 vs. 社區共有
- 台灣的藝術補助系統（國藝會）
- 設施與服務：如何彼此串連連結？
- 底層基礎建設
- 加速裝置
- 離線機制
- 雙主鏈（測試連結）
- 會員權限升級系統（Steemit）
- 公共記憶型節點
- 藝術註冊（Registry）
- 藝術目錄
- 藝術典藏
- 藝術後設資料
- 展示型節點
- 藝術展示，畫廊
- 銷售價值
- 使用與連結價值
- 智慧合約型節點（貨幣、金庫、程式規則）
- Tokenization 加密貓咪，賽馬等
### 藝術註冊（Registry）：台灣的實作構想
- light-weight abstract layer
- hacker-culture / bitcoin / blockchain
- registry
- creation-follow
- 失敗了過程檢視，很有幫助實證
- 凋零api
- 避開交易。
### 如何建造亞洲公共財？
- Commons Building / Making
- 分散式，或去中心化的架構
- 對亞洲文化工作者、藝術家開放的 registry
- 藝術家，藝術展覽，目錄與資料庫服務
- 展館 tokenization：可切割的數位部分，展展不均，特化流量連動
### 拆解經典的藝術作品 Tantalum Memorial
- 歷史
- 服務
- 教育
- 技術
- 電信技術
- 公眾參與
- 科學
- 政治
- 國家
- 美術 / 美學
### 何謂當代藝術？
- 涉及製作當代藝術作品時，就會是一個跨領域的多重挑戰
- 重新探問：何謂當代藝術？
- 範例
- 澳洲船民遊戲 3D 模擬難民營
- 冷體計畫：台灣民政府（一個假國家）
- MoSOS 移動式基地台，與行動救難計畫
- 如何讓民眾進入到這樣的「荒謬」之中
### 如何對應到區塊鏈？
- 單獨運作
- 將一個「封閉敘事」改編到「開放敘事」之中
- 原本 Tantalum Memorial 作品
- 贊助電話卡
- 支持剛果鄉親報
- 單線雙方記憶
- 改編成
- 記憶工程
- #metoo
- 逆反「資訊不對稱」
- 多線多方開放敘事
- 藝術作品「共同」連結群眾
- 藝術作品的「互文性」（intertextuality）透過區塊鏈互聯
- 假新聞連結到「每一個人」，就像平台 - 連結每一個人
- 拓印關係隱私
- 將連結性入藝術作品
- Plastic Raft of Lampadusa
- 連結知識
- 連結貿易門檻
## Post-ICO Era
- Medium: [How to do an Initial Coin Offering (Part 1): A basic introduction for startup founders](https://medium.com/blockchain-review/how-to-do-an-ico-d02c54a990c2)
- 機會的成本
- KYC & AML
- 法律規範，律師，跨國服務
- Position Paper (on technology)
- Whitepaper
> These documents typically have very detailed architectures, unique scripts, user flows, a go to market strategy, a value proposition, and more detail about your growing team and advisors. Many have token distribution terms, and a usage of funds description that will tell supporters how you propose to go about your endeavor. It’s not so much a prospectus in the traditional sense, but it acts very much like one. Most of the sophisticated crypto supporters will not even consider you if you do not have this in place, and properly structured. Technologists and developers will not take you seriously if you are not proposing something that warrants a token or the underlying technology is fluff, so take your time in presenting your best ideas and your process in your whitepaper.
- Yellow Paper
> Parity / Polkadot
- Recommended Books
- Information Rules
- Platform Revolution
- Vitalik Buterins: [Analyze Token Sale Models](https://vitalik.ca/general/2017/06/09/sales.html)
- Vlad Zamfir’s [A Safe Token Sale Mechanism](https://medium.com/@Vlad_Zamfir/a-safe-token-sale-mechanism-8d73c430ddd1)
- Medium: [How to do an Initial Coin Offering (Part 2) How to know if your Token is a Security](https://medium.com/blockchain-review/how-to-know-if-your-initial-coin-offering-is-a-security-2fc7dcb73e44)
- （美國法庭的）[霍威測試（Howey Test）](https://en.wikipedia.org/wiki/SEC_v._W._J._Howey_Co.)（[模板](https://docs.google.com/spreadsheets/d/1CWhxzUv3OTe8FB7u1nu1PP9QsXjfwY4BSwL1uhx2TQo/edit)）
- Is it an Investment of money?
- From an expectation of profits?
- Is it arising from a common enterprise?
- Is it dependent solely on the efforts of a promoter or third party?
- risk capital test
- A secondary test that is applied in the United States is the “risk capital test” which was formulated to test for whether something is a security which considers the following:
- are funds are being raised for a business venture or enterprise;
- is the transaction is offered indiscriminately to the public at large;
- are the investors are substantially powerless to effect [sic] the success of the enterprise; and
- is the investor’s money is substantially at risk because it is inadequately secured.[01]
---
## 用區塊鏈來做什麼？
- 用區塊鏈來交易
- 擁有線上錢包的網址（metamask，tidewallet，trustwallet）
- 自己管理錢包，或透過代理服務代管
- 可以接受支付
- 用加密貨幣來對所提供的商品與服務計價（pricing）
- 用區塊鏈寫入不可抹滅的資料
- 運用分散式帳本技術特性，維持一個具有公信力的網路服務
- 藝術家資料（粉絲頁的熱門度，點擊率）
- CNBC TECH ([Ari Levy](http://twitter.com/@levynews), 20180509): [Why Mark Zuckerberg just put some of his best execs on blockchain](https://www.cnbc.com/2018/05/09/zuckerberg-invests-in-blockchain-to-keep-facebook-relevant.html) 人際關係網絡的信任
- Recode (Kurt Wagner, 20180508): [Facebook is launching a new team dedicated to the blockchain. Messenger’s David Marcus is going to run it.](https://www.recode.net/2018/5/8/17329696/facebook-blockchain-crypocurrency-david-marcus-crypto-messenger-app) 簡訊平台的模式
- Fortune (Polina Marinova, 20180509): [Why It Makes Sense For Facebook to Move Into the Brave New World of Blockchain](http://fortune.com/2018/05/09/facebook-blockchain-team/)
- Wired UK (Gian Volpicelli, 20180519): [What the hell is Facebook doing on the blockchain?](https://www.wired.co.uk/article/facebook-blockchain-david-marcus-mark-zuckerberg)
> "First designed as the digital scaffolding for cryptocurrency bitcoin, a blockchain is a permanent, public, online ledger that processes transactions relying on a swarm of users’ computers rather than on any single central mediator."
>
> "It goes beyond the financial: people in the blockchain sphere have long been talking about decentralising the web itself. They yearn for the fall of centralised technology platforms like Facebook or Google and the rise of online communities that would allow users to connect without entrusting their data to corporate middlemen. The benefits of this model would go from resistance to censorship, to more control for users on how their personal information are utilised (think of users controlling their data as if they were units of cryptocurrency on a ledger)."
- Wired (ERIN GRIFFITH, SANDRA UPSON, 20180508): [WHAT'S THE DEAL WITH FACEBOOK AND THE BLOCKCHAIN?](https://www.wired.com/story/whats-the-deal-with-facebook-and-the-blockchain/)
- 經營一個社群
- 點對點加密、區塊鏈認證通訊錄的簡訊軟體
- [MediaProtocol.org](https://www.mediaprotocol.org/), [Secure Private Messaging](https://medium.com/@mediaprotocolsm/secure-private-messaging-11e1242f0af7)
- ADM: [A Blockchain messaging platform that's unstoppable](https://appdevelopermagazine.com/5958/2018/4/3/a-blockchain-messaging-platform-that's-unstoppable/)
- EOSio: [Blockchain Lab – TelEOS – decentralized messenger with end-to-end encryption](https://eoshackathon.io/contestant/blockchain-lab-teleos-decentralized-messenger-with-end-to-end-encryption/)
- [Status.im](http://status.im), [The most private and secure messaging platform in the world – and why it is better than WhatsApp](https://mybroadband.co.za/news/software/268265-the-most-private-and-secure-messaging-platform-in-the-world-and-why-it-is-better-than-whatsapp.html)
- 發行自己的貨幣（ICO, Initial Coin Offering）
- [ArtCoin](https://www.artcoinfund.com/)（新加坡，下載[白皮書](https://www.artcoinfund.com/ArtCoinFund-whitepaper.pdf?01a87b9ec5c05ddc4736fad6bbb7e17c)）
<iframe width="560" height="315" src="https://www.youtube.com/embed/YMJhYM2CogI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
- features
- a) State of the Arts: analyzing where art is valued. Specific markets price
artworks differently. Thorough knowledge of the respective markets allows forthe implementation of profitable purchasing strategy. Ultimately creating the opportunity for a geographically leveraged arbitrage.
- b) Artcoins: The most important difference between this crypto currency and others is that ArtCoin is backed by a tangible art collection. ArtCoins can be purchased from Ether and will carry its own rate of exchange pitted against the currency. Total amount of ArtCoin is set at 750,000; five percent will be burned each year.
- c) De-Centralized Locations: using international freeports. Assets will converge to freeports closest to the point of purchase and/or to the pertinent resale market.
- d) Diversfication Strategy: purchasing where and when low, selling when and where high. The fund manager will acquire Blue Chip artworks averaging at €750,000 each. Sources include a vast network of artists, private and public collections, art galleries and auction houses.
- [Maecenas ](https://www.maecenas.co/)
- [Artists as cryptofinanciers: welcome to the blockchain](https://www.theartnewspaper.com/feature/artists-as-cryptofinanciers-welcome-to-the-blockchain)
- [VERISART](https://verisart.com/): CERTIFY AND VERIFY ARTWORK INSTANTLY, Create secure digital certificates for art and collectibles. Bind them to detailed provenance records.
- FT: [Blockchain in the art world: the pros and cons](https://www.ft.com/content/1c5062d8-900b-11e8-bb8f-a6a2f7bca546)
- Artome, 20180731: [Art World, Meet the Blockchain](https://www.artnome.com/news/2018/7/21/art-world-meet-blockchain)
- [CodeX Protocol](https://www.codexprotocol.com/)
- [smArtChain](https://blockchainhub.net/smartchain/)
- [wunder.art](https://wunder.art), [影片](https://wunder.art/ico_res/assets/wunder_480.mp4)
- Wikipedia: [Non-Fungible Tokens](https://en.wikipedia.org/wiki/Non-fungible_token)
> "Non-fungible tokens are used to create verifiable digital scarcity. NFTs are used in several specific applications that require unique digital items like crypto-collectibles and crypto-gaming. Popular blockchain games like CryptoKitties make use of non-fungible tokens on the Ethereum blockchain. NFTs are used to represent in-game assets, which are in control of the user instead of the game developer. NFTs also find potential use in digital art, by helping prove authenticity and ownership."
>
- [Enjin Coin](https://enjincoin.io/): Smart Gaming Currency
- [The Top Six Blockchain Art Projects](https://coincentral.com/top-six-blockchain-art-projects/)
- [Digital Art on the Blockchain 🎨](https://hackernoon.com/digital-art-on-the-blockchain-718a631c446b)
- Artome: [The Blockchain Art Market Is Here](https://www.artnome.com/news/2017/12/22/the-blockchain-art-market-is-here)
- [Art Currency (dead)](https://coinmarketcap.com/currencies/art-currency/)
- 打造一個治理系統
- 英國智庫 NESTA 的故事
- [Blockchain powers a personal data revolution](https://www.nesta.org.uk/feature/10-predictions-2017/blockchain-powers-a-personal-data-revolution/)
- [Blockstack](https://www.nesta.org.uk/feature/me-my-data-and-i/blockstack/)
- [Blockchain for the social good](https://www.nesta.org.uk/blog/blockchain-for-the-social-good/)
- 連同座位一同納進計算的績效系統
## 討論
- 網際網路 2.0 的意義
- 傳遞價值的網路
- 問題：怎麼驗證帳面上的交易跟真實世界活動的關連？
## 當代藝術家與其作品
藝術家所創造出來的藝術作品有這麼多面貌，指向不同的方向；如果不檢視這些藝術去向何方，我們就不知道怎麼將藝術與網路結合在一起。
### 範例：陳界仁
- 苦勞網：[【重新思考社會主義】陳界仁：藝術與「人民」](https://www.coolloud.org.tw/node/91338)
> 1. 代表性與主體的問題：「人民的藝術」很容易被誤解為藝術家自以為可以代表人民。
> 2. 「人民」的複雜指稱：現在所謂的「人民」包含各種立場，包括持最反動邏輯的人民，「人民」已很難統稱如此複雜的現狀。
>3. 「人民」意義被收編挪用：今天的統治階級完全懂得如何操弄各種左翼與自由派的各種詞彙，「人民」也成為統治階級最常用的詞彙之一。
>4. 「後網絡時代」下的「人民」：人民已完全被分眾化、零碎化、同溫層化。
>5. 該怎麼辦？無論社運團體或藝術家都很難再以過往的方式面對上述現實，該如何發展新的運動形式與面對後網絡時代的種種難題。
- 苦勞網：[陳柏謙回應陳界仁：藝術與「人民」，或「人民」的藝術的困境](https://www.coolloud.org.tw/node/91351)
> 「...這幅作品的作者，不是別人，正是當時身為黃榮燦的學生，十數年後成為台灣現代、抽象主義雕塑大家楊英風當年的作品。楊英風在1951年因為經濟因素自師院輟學，開始於《豐年》雜誌擔任美術編輯。而50年代起，台灣島內白色恐怖幽靈已在各領域盤旋，1951年年底，楊英風的老師黃榮燦遭國民黨逮捕，隔年遭槍決。而或許算是幸運的楊英風，雖然師承了黃榮燦的木刻版畫技巧，但並未被捲入這場風暴。諷刺的是，進入《豐年》雜誌工作的楊英風，運用了黃榮燦所教授原初具有激進意涵歷史的「木刻版畫」表現形式，在冷戰期間，由『美國新聞處』（美新處）、『美國經濟合作總署中國分署』（經合署）與『中國農村復興聯合委員會』（農復會）共同籌辦的雜誌中，繼續使用寫實風格的木刻版畫技巧，留下了一系列的作品。」
>
> 「...藝術的表現形式本身，並不能保證必然是『人民』或『反人民』的藝術，藝術創作者自身的創作內涵與創作目的，或者更明白的說，創作者如何看待身為藝術創作者在社會（改造）過程的角色（或沒有角色？），以及觀看者／閱聽人能否受到深刻的衝擊與影響，很可能才會是關鍵。」
### 範例：鄭淑麗
- 台灣最前沿的數位原生當代藝術家
- 大蒜，堆肥，菌絲
- 官方網站：[mauvaiscontact.info](http://mauvaiscontact.info/)
- Artnet News: [The Guggenheim Just Restored Its First Web Artwork. Here’s How.](https://news.artnet.com/art-world/guggenheim-brandon-digital-art-962129?)
- [I'm a Plantoid](http://plantoid.org/)
- [KOP, Kingdom of Piracy](http://www.mauvaiscontact.info/kop/)
- FAD: [NEO ULTRA PUNK](https://fadmagazine.com/2018/05/13/coming-soon-neo-ultra-punk/)
- [Mycelium network society](http://myceliumns.net/)
- [「菌絲網絡社會」在2018年台北雙年展│菌絲無線電啟動－開幕夜表演 ](https://www.tfam.museum/Event/Event_page.aspx?ddlLang=zh-tw&id=2848&allObj=%7B%22JJMethod%22%3A%22GetEv%22%2C%22State%22%3A%22Now%22)
- SLEEP79 (with Matthew Fuller)
- anti-blockchain
### 範例：Dyne
- D-Cent, Faircoin and Social Wallet
<iframe src="https://player.vimeo.com/video/280337606" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/280337606">FM: Jaromil - Meaning of Crypto in the City</a> from <a href="https://vimeo.com/networkcultures">Institute of Network Cultures</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/5rXPrfnU3G0" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
<iframe src="https://player.vimeo.com/video/161759320" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/161759320">Jaromil at Michel Bauwens & the Promise of the Blockchain</a> from <a href="https://vimeo.com/fiberfestival">FIBER</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
- Invest in Blockchain: 2017.10.16 [https://www.investinblockchain.com/wikileaks-thanks-government-bitcoin/](https://www.investinblockchain.com/wikileaks-thanks-government-bitcoin/)
- Washington Post: [Bitcoin boom is a boon for extremist](https://www.washingtonpost.com/business/technology/bitcoins-boom-is-a-boon-for-extremist-groups/2017/12/26/9ca9c124-e59b-11e7-833f-155031558ff4_story.html?noredirect=on&utm_term=.58f84d5c80a3)
<iframe src="https://player.vimeo.com/video/165348947" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/165348947">Interview: Denis "Jaromil" Roio, Dyne.org</a> from <a href="https://vimeo.com/dcentproject">D-CENT</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
### 範例：Femke Herregraven
- 在飛錢研討會中的藝術家 [Femke Herregraven](http://femkeherregraven.net/) ，關心經濟、社會結構與藝術
> 當代藝術試圖反映社會，透過數位的表現與互動形式，讓一部分、或者特定角度，很難被看見與討論的社會，從黑暗處得以「現身」。
>
> 在金融藝術家 FH 的例子中是現代社會中的公民身份議題（liquid citizenship）、逃稅（taxodus）與離岸/境外經濟（geographies of avoidance）。她的作品就試圖讓觀眾從跨國企業的角色裡面來思考與決策。
>
> 這種「現身」的形式既經過設計過程、相當現代，但所創造出的作品又卻古典：更接近新聞與報導文學，試圖傳達某種覺醒意識，很難被特定的藝術商品與交易規則與規格所涵括。
>
> 但我們自己又怎麼理解這樣的藝術？一定很尷尬，尤其是我們長年以來所認知到的「經濟成功典範」都涉及到三角貿易、兩岸金融，甚至接下來要從另外一個逐漸擴大的困境中逃離。
>
- [流動公民身份 Liquid Citizenship](http://femkeherregraven.net/liquid/)：當公民身份也變成是可分離的身體，很像是百獸王
<iframe src="https://player.vimeo.com/video/62594872" width="640" height="301" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/62594872">Taxodus – mapping assets offshore</a> from <a href="https://vimeo.com/user17271597">Bitcaves</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<iframe src="https://player.vimeo.com/video/128362888" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/128362888">Public Voice</a> from <a href="https://vimeo.com/vamuseum">Victoria and Albert Museum</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/CQR_Qp04yrg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
- 冥王歐西里斯（[Osiris](https://zh.wikipedia.org/wiki/%E4%BF%84%E8%A5%BF%E9%87%8C%E6%96%AF)）的故事：身體分散四方，力量卻滲入土壤
<iframe src="https://player.vimeo.com/video/148628360" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/148628360">MoneyLab#2: Femke Herregraven. Bringing the Dark Side of Money to Light.</a> from <a href="https://vimeo.com/networkcultures">Institute of Network Cultures</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
### 範例：YoHa with Matsuko Yokokoji and Graham Harwood
- 手機，資料庫，肺，影音流
- [YoHa 官方網站](http://yoha.co.uk/)
- 經典案例：[《鉭紀念祭》（Tantalum Memorial, 2007）](http://yoha.co.uk/tantalum): Electromagnetic telephone exchange connected to contemporary telephony network
- 獲獎紀錄：Transmedial 2007
- 影音 http://yoha.co.uk/node/132
<iframe width="560" height="315" src="https://www.youtube.com/embed/0LlN20Aj--0" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
> Tantalum Memorial is a series of telephony-based memorials to the more than 4 million people who have perished in the complex wars that have gone on in the Congo since 1998, often referred to as the ‘Coltan Wars’. Coltan ore is mined for the metal tantalum, an essential component of mobile phones and similar devices.
<iframe width="560" height="315" src="https://www.youtube.com/embed/CpJGmzN2xyM" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
<iframe src="https://player.vimeo.com/video/43698632" width="640" height="512" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/43698632">Moving Forest 12 hours - Harwoods reworked film with Matt Fullers 500 Slogans as subtitles</a> from <a href="https://vimeo.com/user7378625">Harwood YoHa</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<iframe src="https://player.vimeo.com/video/24958051" width="640" height="472" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/24958051">Requiem for Cod</a> from <a href="https://vimeo.com/user7378625">Harwood YoHa</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
----
## 論述
- 我們為何需要一個數位當代藝術加密貨幣交易所？
- 區塊鏈是什麼？
- 區塊鏈與比特幣
- 區塊鏈與以太坊（Etherum）
- 代幣的種種特質
- 藝術對象物的「代幣化」（tokenize）
- 加密貓咪（Encrypted Kitties）與賽馬
- VentureBeat: [CryptoKitties shows everything can — and will — be tokenized](https://venturebeat.com/2017/12/04/cryptokitties-shows-everything-can-and-will-be-tokenized/)
> "If it doesn’t make sense to you that grown men are spending real money trading images of cute kitties, imagine for a second that these images represent something else. It could be stocks, real estate, gold, or any other real-world asset you’re able to buy and sell. Although a novel idea, the cats shouldn’t be considered much more than a proof of concept, a showcase of some of the possibilities that lie in Ethereum’s ability to tokenize and trade physical things. It’s this promise that’s gotten the Ethereum community so excited over the last few days."
>
> "When new projects are built on Ethereum, their token is usually issued under ERC20 token standard. CryptoKitties, however, uses the lesser known ERC721 standard, for non-fungible tokens. Under this standard, you ensure that each token has its unique attributes and values and that it can’t be substituted for another, making it perfect for solutions that depend on tracking individual units or entities of any kind — for example, ownership of a specific piece of land."
>
> "ERC20 and ERC721 also have great things in store for gamers. Virtual currencies have always been an integral part of video games, and in-game cryptocurrencies could be the next logical step as marketplaces in online games are decentralized. Skin gambling is another large and related market that is crowded with bad actors and just waiting to get disrupted. Enjin Coin and DMarket are two Ethereum-based projects looking to fix this and take gaming to the next level."
>
> "....The game has shown us three things: that the crypto community can’t wait to get its hands on new blockchain use cases beyond trading cryptocurrencies, that investors have a lot of money and are willing to spend it, and, most importantly, that new Ethereum apps are able to gain adoption rapidly. The last point is certainly bullish for anyone planning to do a product launch in 2018."
>
- 藝術家代幣化，或是藝術作品代幣化？關鍵在於資產是什麼。
----
## 網站結構
- 首頁
- 介紹
- 關於我們
- 買
- 賣
- 資料庫
## 首頁設計
- 藝術家資訊（賽馬資訊）
- 次服務的持續釋出
## 介紹頁面
- 影音介紹
- 做出初始藝術家的範例（圖像）
- 關於我們（文稿）
- bitcoin 比特幣
- storage and security 交易安全
- shipping 如何運送
- 合作夥伴（合作計畫）
- 手機下載應用
## 買與賣
- 「開始」收集藏品啦：照片（買）
- 物件歷程
- 買家實際體驗
- 拍賣啥？
- 螢幕保護程式？桌布
## 資料庫
- 藝術家，展覽資料庫
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