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I had very little in common with and knew even less about a generation that I was supposed to be the voice of. I’d left my hometow**n only ten years earlier, wasn’t vociferating the opinions of anybody.”
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“I really was never any more than what I was — a folk musician who gazed into the gray mist with tear-blinded eyes and made up songs that floated in a luminous haze. Now it had blown up in my face and was hanging over me. I wasn’t a preacher performing miracles. It would have driven anybody mad.”
“Students trying to seize control of national universities, antiwar activist forcing bitter exchanges. Maoists, Marxists, Castroites — leftist kids who read Che Guevara instruction booklets were out to topple the economy.”
“I was sick of the way my lyric had been extrapolated, their meanings subverted into polemics and that I had been anointed as the Big Bubba of Rebellion, High Priest of Protest, the Czar of Dissent, the Duke of Disobedience,

Leader of the Freeloaders, Kaiser of Apostasy, Archbishop of Anarchy, the Big Cheese. What the hell are we talking about? Horrible titles any way you want to look at it. All code words for Outlaw.”
“I felt like a piece of meat that someone had thrown to the dogs. The New York Times printed quacky interpretations of my songs. Esquire magazine put a four-faced monster on their cover, my face along with Malcom X’s, Kennedy’s and Castro’s. What the hell was that supposed to mean? It was like I was on the edge of the earth.”
“I had all the technical theory I would need. My audience would stop being a shady army of faceless people. Of course, some of them would still only concentrate on the lyrics and they might be dismayed because of the two-beat strum they’d been used to for so long would now be off rhythm, refocused and rushing the songs into the heart of unimagined territory. But that’s okay, they could handle it.” (about Oh Mercy)
“A song is like a dream, and you try to make it come true. They’re like strange countries that you have to enter.
There are also great ones from interviews, particularly in the interviews from the mid-sixties. Unfortunately, I don’t have so many, but I can find some.
“I won’t be able to talk to you [journalist] afterwards. I got nothing to say about these things I write. I mean, I just write them. I don’t have to say anything about them, I don’t write them for any reason, there’s no great message.
I mean, if you wanna tell people that, go ahead and tell them, but I’m not gonna have to answer to it. And people are gonna think ‘what is Time magazine telling us?’, but you couldn’t care less about that either. You don’t know the people that read you.”
“I don’t think I’m a folk singer. You’ll probably call me a folk singer, but other people know better. (…) I could tell you why I’m a folk singer and explain you why, but you wouldn’t really understand. All you would do is nod your head.”
Responding to the journalist when asked if he cared for what he sang: “You got a lot of nerve asking me a question like that, do you ask the Beatles that?”
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