# Resource: Getting Started with Short-Form Documentary Filmmaking
Your project—five interviews and a dancer, cut into a 15-minute film—has the same building blocks as professional short-form documentaries like the [*New York Times*](https://www.nytimes.com/video)
This guide gives you starting points for planning, filming, and editing, with links to tutorials and courses.
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## 1. Pre-Production: Shaping the Story
- **Clarify the arc**: What’s the central question or theme tying the interviews and dance together?
- **Pre-interviews**: Chat with your interviewees ahead of filming to:
- Identify strong, concise stories and quotable phrases.
- Avoid hours of footage that won’t make the cut.
- **Questions that work**:
- Use open-ended prompts, but listen for short, complete sentences.
- Ask for stories or specific memories rather than opinions.
- Example: Instead of *“What do you think about X?”* → *“Can you describe a moment when X happened to you?”*
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## 2. Interview Filming Basics
- **Lighting**: Aim for soft, even light (a window with a sheer curtain works). Avoid harsh shadows.
- **Framing**: Place subjects slightly off-center (rule of thirds). Leave space in the frame in the direction they’re facing.
- **Shot length**: Let the camera run a bit before and after answers for easier edits.
- **Sound**: Prioritize audio—use a lavalier or shotgun mic if possible.
<iframe width="560" height="315" src="https://www.youtube.com/embed/pqk9dY9mYjE?si=JqAbVuHeNuBs3gdx" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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## 3. Capturing the Dancer
- **Coverage**: Wide shots for context, close-ups on feet, hands, and face.
- **Movement**: Try simple moves—pans (side to side), tilts (up/down), pushes (move in), and pulls (move back).
- **Cutaways**: Essential for pacing and transitions in the edit.
<iframe width="560" height="315" src="https://www.youtube.com/embed/IiyBo-qLDeM?si=tHSpi76o2nJe5S90" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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## 4. Editing Workflow
Choose an editor you’re comfortable learning:
- [**Final Cut Pro**](https://support.apple.com/final-cut-pro): Mac-friendly, intuitive, widely used in education.
- [**Adobe Premiere Pro**](https://helpx.adobe.com/premiere-pro/tutorials.html): Industry standard, integrates with After Effects/Photoshop.
- [**DaVinci Resolve**](https://www.blackmagicdesign.com/products/davinciresolve/training): Free version is powerful; best for color correction.
**Tips for a 15-minute film:**
- Build a “radio cut” first—just the best audio/story moments.
- Layer in visuals, dance, and cutaways after the structure is set.
- Keep pacing varied: mix longer interview moments with short, punchy dancer shots.
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## 5. Study the Model: NYT Op-Docs
Notice in Op-Docs:
- Interviews are lean and structured around a clear theme.
- Visual variety keeps viewers engaged (not just talking heads).
- Pacing balances reflective and energetic moments.
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## 6. Tutorials & Learning Resources
### Free
- [Premiere Pro Basics – Adobe Official Tutorials](https://helpx.adobe.com/premiere-pro/tutorials.html)
- [DaVinci Resolve Beginner Guide](https://www.blackmagicdesign.com/products/davinciresolve/training)
- [Final Cut Pro Resources](https://support.apple.com/final-cut-pro)
### LinkedIn Learning (free with Harvard ID or library access)
- [Learning Premiere Pro – Ashley Kennedy](https://www.linkedin.com/learning/topics/premiere-pro)
- [Final Cut Pro X Essential Training – Ashley Kennedy](https://www.linkedin.com/learning/final-cut-pro-x-10-4-essential-training)
- [DaVinci Resolve 18 Essential Training – Patrick Inhofer](https://www.linkedin.com/learning/davinci-resolve-18-essential-training)
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## 7. Checklist Before You Shoot
- [ ] Pre-interviews complete, story arc drafted
- [ ] Interview space chosen with good light and minimal noise
- [ ] Backup audio plan ready
- [ ] Shot list for dancer (wide, medium, close, detail)
- [ ] Extra batteries, SD cards, tripod packed
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