--- tags: course support, podcasting --- # FRENCH 30 PODCASTING stations: 1. voice, microphones, improv? (Jessi) 2. interviewing, sound & story (Marlon) 3. editing (Casey) ## INTERVIEW & STORY ## VOICE & MICROPHONE - speaking into the microphone - microphones and voice ## SOUND & MEANING ## GARAGEBAND & AUDACITY - French podcast - story and reflection - music beds & sound effects - improv activity - interview tips and practice - tips - research them in advance - have a bio and introduce them - why and how will the interviewee connect with the intended audience? - don't ask yes/no questions, - or leading questions ("and so would you say that's what made the class so awesome")---give them freedom - aim for "how" and "why" questions - ask for elaboration---it's OK to be confused and to want to know (you are the listener's proxy in the room) - the interview is a story, think about story-order (rather than order of coolness or importance) - ask one question at a time - don't talk over them - listen actively to their answers (don't just wait for your turn to talk again) - send the questions in advance if you can! - save time for a pre-interview orienting conversation if possible - find an interviewer you really like and pay attention to their process the next time you listen to one of their interviews - editing ## LL building blocks ### web-based resources [Podcasting 101.](https://sites.google.com/g.harvard.edu/ll-podcasting) [Grading and responding. by Marlon](https://docs.google.com/document/d/1lpxgk51X5V_ishu1LMzUl0-UvoRnbRRj3lHF8GjtmCM/edit?usp=sharing) [Science Podcasting Research Notes. by MDF Grace Burgin](https://docs.google.com/document/d/1a9DuTMUaK24kYVWFSB83xAtsWyoDgRTNv9slIc4I7x8/edit?usp=sharing) [podcasts: what professors should keep in mind by former MDF Anna White-Nockelby](https://docs.google.com/document/d/14ELyjKzBaCv9kEngTps5K2KgHKBFEKOKBxBYlWTws-A/edit?usp=sharing) for reference: [one of the articles](https://drive.google.com/file/d/1VBJVRYllGG2wBXZsRQd4RSb6994t-DVm/view?usp=sharing) we've used in past workshops on race, names and power. ### Ira Glass on Story The anecdote and the moment of reflection. <iframe width="560" height="315" src="https://www.youtube.com/embed/f6ezU57J8YI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> ### Ken Burns on Story (1 + 1 = 3) <iframe src="https://player.vimeo.com/video/40972394?h=e6addfbf29&color=ffffff&title=0&byline=0&portrait=0" width="640" height="360" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen></iframe> <p><a href="https://vimeo.com/40972394">Ken Burns: On Story</a> from <a href="https://vimeo.com/redglasspics">Redglass Pictures</a> on <a href="https://vimeo.com">Vimeo</a>.</p> ### The Beginning of Serial many times. <iframe width="560" height="315" src="https://www.youtube.com/embed/nMSxiHuDa00?start=28" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> ### Communicating to general audiences dejargonifying . . . turning systems into narratives. ### Aristotle/Hollywood Tension to resolution, the critical first act. (With allusions to Lipson article, teaching and learning, etc) ### Nancy Duarte What is and what could be. <iframe width="560" height="315" src="https://www.youtube.com/embed/1nYFpuc2Umk" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> ### Tools and Technique * Garageband * Audacity * Microphones & recording * types * proximity * spaces * nat sound