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## Guerrilla Digital Public History
### Fall 2019
#### shawngraham.github.io/guerrilla-dh
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follow along at https://hackmd.io/@drgraham/gdph-9-10
<small>[view source code on hackmd.io](https://hackmd.io/HO7RNCp5TwiQ3CqC1p0Epw?both) | remember to mouse-over text for links</small>
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+ digital history is ... ?
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[Ian Milligan: Historians’ archival research looks quite different in the digital age](https://theconversation.com/historians-archival-research-looks-quite-different-in-the-digital-age-121096)
Note:
This is probably what you were expecting
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Note:
But it's also this.
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And it's also this:
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[Picturing LeBreton Flats](http://picturinglebretonflats.ca)
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And it can also be this:

[Ottawa's First Chinatown](https://nathpicard.github.io/Old-Chinatown-Ottawa/)
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[Ottawa's First Chinatown](https://nathpicard.github.io/Old-Chinatown-Ottawa/)
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[Voices Recognition](http://www.heritagejam.org/jam-day-entries/2014/7/12/voices-recognition-stuart-eve-kerrie-hoffman-colleen-morgan-alexis-pantos-and-sam-kinchin-smith)
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What I especially like about these projects is the way they pull knowledge and stories about a place, giving voice out of the digital aether and injecting them into place.
That uncanny jarring/juxtaposition unexpected _experience_ can be a vector for [_digital enchantment_](https://www.cambridge.org/core/journals/european-journal-of-archaeology/article/enchantment-of-the-archaeological-record/6B71DCDB28D3FABE22660EEA860ED7FE/share/4e3b9c26d6a8ad18c37806bf75430609166eab0e).
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[shawngraham.github.io/historicalfriction](https://shawngraham.github.io/historicalfriction)
This might be loud, if it works. It might not. [(Here's a video of what's supposed to happen.)](https://twitter.com/electricarchaeo/status/1158457086868688896)
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DH is > tools. DH is about _inter alia_ :
- a macroscopic view
- digitization & dealing with the consequences of digitization
- storytelling
- emotions
- enchantment
- truth in the face of misinformation
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_Guerrilla_ Digital _Public_ History might be
+ telling the stories
+ that need to be told
+ in the places that need to hear them,
+ **even if** no one asked you to do it
(you might have some reservations now, yes?)
Note:
so now we have the guerrilla part, the digital part, and the public part.
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## Truth and Lies for Digital Public Historians
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What did they tell you about 'digital sources', as an undergrad?
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Mike Caulfield, [_Recognition Is Futile: Why Checklist Approaches to Information Literacy Fail and What To Do About It_ hapgood.us 2018](https://hapgood.us/2018/02/18/recognition-is-futile-why-checklist-approaches-to-information-literacy-fail-and-what-to-do-about-it/)
Note:
"The difference has always been the difference between a narrow list of things to do (SIFT) and a broad list of things to consider and rate (CRAAP)." https://hapgood.us/2019/05/12/sift-and-a-check-please-preview/
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<small><small> "When you feel strong emotion — happiness, anger, pride, vindication — and that emotion pushes you to share a 'fact' with others, STOP." His reasoning: Anything that appeals directly to the "lizard brain" is designed to short-circuit our critical thinking. And these kinds of appeals are very often created by active agents of deception.
[-NPR](https://www.npr.org/sections/ed/2017/10/31/559571970/learning-to-spot-fake-news-start-with-a-gut-check) </small></small>
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## SIFTing things

- [Four Moves](hapgood.us/2019/06/19/sift-the-four-moves/)
Note:
When the lizard brain reacts, "stop reading, stop reacting, figure out what you need to know and reapproach"
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## Quick Activity
[Let's trace a viral photo to its source](https://webliteracy.pressbooks.com/chapter/activity-trace-viral-photos-upstream/)
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You will all probably TA at some point.
You should read & use [Mike Caulfield's _Web Literacy for Student Fact-Checkers... and other people who care about facts_](https://webliteracy.pressbooks.com/) with your students early on.
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### oh, about the web...

- the structure of the web _matters_
Note:
- an essay uses literary structures and logical syllogisms to make arguments. An essay assumes a sequence of top-to-bottom, start-to-finish reading, from which sense emerges.
- on the web, the sequence in which people will encounter information and arguments cannot be assumed _but people still make sense given the order in which they read things_. The story that emerges from reading page A then page B **is not** the same story that emerges from reading page B _then_ page A. Links are conduits of attention. Who controls links, controls the web.
- 'Linked Data' tries to add semantic information on top of those conduits of attention, so that direction of linkage also can mean 'is the daughter of' or 'is a result of' and so on. The pattern of the resulting _graph_ can be queried to answer questions that the 'page' or 'resource' itself does not necessarily address.
- You don't need to worry about this for now, but suffice to say: in digital history, the stories we tell are in dialog with the machine.
- the machine is not neutral. the machine has owners. the machine does its own thing. the machine has more power than you.
- welcome to guerrilla digital public history
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### The Minimum Digital Basics for
### New MA Students
? minimal basic digital
? basic minimal digital
? digital basic minimum
... you know what I'm getting at...
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### Digital Identity
1. You need to have a scholarly identity online
+ but let's talk [privacy & safety](https://hackblossom.org/cybersecurity/)
+ now... go to [the 'academic' theme for hugo](https://app.netlify.com/sites/upbeat-nobel-727f34/overview)
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_You do not have to have a social media account. Social media can be useful for monitoring the field, engagement. But there's a lot of toxicity and danger. We'll talk about social media practice later._
<small>
See eg. Sara Perry, Nicole Beale. The Social Web and Archaeology’s Restructuring: Impact, Exploitation, Disciplinary Change. Open Archaeology, 2015; 1 (1) DOI: 10.1515/opar-2015-0009
[link](https://www.degruyter.com/view/j/opar.2014.1.issue-1/opar-2015-0009/opar-2015-0009.xml)
</small>
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### Digital Notetaking
2. [Keep track of what you read with Zotero.org](http://zotero.org)
3. [Take Smart Notes](https://takesmartnotes.com/#moreinfo)
4. [Zettlekasten with Sublime Text](https://github.com/renerocksai/sublime_zk)
5. [Hypothesis for online notes is handy too](https://web.hypothes.is)
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### Digital Writing
6. [Write chunks of thought with Scrivener](https://www.literatureandlatte.com/scrivener/overview)
7. [Or write plain-text with Sublime Text](https://www.sublimetext.com/)
Separate your _content_ from its _containers_.
Practice [Sustainable Scholarship](https://programminghistorian.org/en/lessons/sustainable-authorship-in-plain-text-using-pandoc-and-markdown).
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### Archival Photo Management
8. [Tropy](https://tropy.org/)
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<br><br>
...for now...
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+ [Bonetrade project](https://bonetrade.github.io): 2 RAs wanted
+ [Nanohistory project](https://www.nanohistory.org/): 1 RA wanted
+ [CCAD/CRANE project](https://shawngraham.github.io/CCAD): 1 RA wanted
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