HackMD
黃祥昀Emily Hsiang-Yun Huang's Project List
Bio 簡介
黃祥昀 Emily Huang Hsiang-Yun is a researcher and visual artist from Taiwan. She holds a BA in Philosophy from National Taiwan University (TW) and an MA in Media Studies from Leiden University (NL). Her research interests focus on the relationship between body and technology from the perspective of postcolonialism, cyberfeminism and digital materialism. Projects she has curated include www.counterarchive.commons at Taipei Fine Arts Museum (2024), IMPAKT Festival-Our Terms, Our Conditions (2023), Taipei Digital Art Festival-Fake It Real (2022), Embodied Interface (2020) and Uchronia (2020).
As an artist, she often makes performance films derived from her poetry on the vulnerability of human and non-human existence, with a focus on the female body and the circularity of time. Her works have been exhibited at the Taipei Museum of Contemporary Art and the Cinedance Festival at the Eye Museum in Amsterdam, Roll Out Dance Film Festival in Macao, Museum of Contemporary Art Belgrade and Venice International Performance Art Week curated by the artistic duo VestAndPage as part of the Performance Art Program conceived by Marta Jovanović, among others. In 2022-2023, she received the Mondrian Artist Start Grant, Stimuleringsfonds, AFK, and exhibited her works at Rotterdam Art Week and Ars Electronica in 2024.
Digital Arts 創作：數位藝術
Huang is active in areas of poetry, photography, performance film and net art. For Images see：Portfolio
2024, Artists (Hsiang-Yun Huang, Claudia Oliveira, Gema F.B. Martin and Lotte Louise de Jong.), Toyboi, Ars Electronica Festival, Kikk Festival, IMPAKT.
Knick Knacks that traditionally feature naked women turn into images of male nudity with distorted and deformed genitalia generated by non-consensual undressing AI platforms.
2024, Artist, Mango RAM , net art/public art, Taipei, TW
A website that collects memories of mango tree through a participatory theater and livestream as dataset to generate AI poetry.
2024, Artist, with Chen Jhen and many collaborators, My Favorite News Goes Nuclear, Eating Livestream @goes_nuclear, Taipei Fine Arts Musuem, Taipei, TW, panke.gallery, Berlin, GE
A mukbang performance of consuming dis/misinformation from a faux content farm website generated by AI.
2023, Artist, with Jiao Jiao Li, Lonely Screens, 4bid gallery, Amsterdam, NL
A performance video and public performances about screen-mediated intimate relationships.
2020, Artist, with Chen Jhen, Uchronia,
A website about Taiwanese post-colonial identity and the methodology of history.
Visual Arts 創作：視覺藝術
2024, Director, Faces of Passing Love, world premiere at Cinedance Festival, Eye Museum, the Netherlands.
2024, Artist, Rotterdam Art Week Prospects, the Netherlands.
2022, Artist, Mondrian Artist Start Grant, the Netherlands.
2022, Director, When The Party Is About To End, screened in Cinedance Festival, Eye Museum, the Netherlands.
2020-2021, Director, Narrow Gate, Performance Film, screened in the Museum of Contemporary Art Belgrade (MoCA) and Venice International Performance Art Week curated by the artistic duo VestAndPage as part of the Performance Art Program conceived by Marta Jovanović.
Resarch and Curation 研究與策展
For her research article list, please go to: https://hackmd.io/@cloudscapemediaartplatform/landingpage
2024, Convolutions, Net.Open Project,Taipei Fine Arts Museum, Taipei, Taiwan.
Curator of public program for the first online art exhibition at the museum.
2024, www.counterarchive.commons, Net.Open Project,Taipei Fine Arts Museum, Taipei, Taiwan.
Curator, the exhibition is about the politic of archive/AI dataset in the framework of cyberfeminism and postcolonialism
2023, Our Terms, Our Conditions, IMPAKT Festival , Utrecht, the Netherlands.
Guest curator of panel discussion the anonymity dilemma, including online gender-based violence and information warfare.
2021, Fake it Real, Digital Art Festival Taipei
Curator of one of the largest Digital Art Festival in Taiwan, dealing with the issues of post-truth and digital materialism in the context of digital globalization.
2020, Uchronia, Taiwan and the Netherlands
Initiated and produced a web-based artwork about post-colonial identity and the methodology of history. The project includes a physical exhibition at Gallery F studio and appearances on several online art platforms.
2020, Embodied Interface, Taiwan/Argentina/Slovenia 2020,
Initiated a curatorial project including a webinar and online performances exploring net.arts from the perspective of the Global South.
Panel Discussion Curation 論壇策劃
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Clab 2025｜Artificial Unintelligence: Deep Fakes, Deep Bias and the Sexualized Body
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IMPAKT Festival 2023｜ The Anonymity Dilemma 1: Online Gender-Based Violence
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IMPAKT Festival 2023｜ The Anonymity Dilemma 2: Information Warfare
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Taipei Digital Art Center 2023｜ 資訊操弄：心智、認知與權力 Information Manipulation: Mind, Cognition, and Power with Alex Taek-Gwang Lee, Warren Neidich, Ying-Tung Lin
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TFAM Net.Open 2024 | 「卷積」公眾活動 II： 鄭先喻 | "Convolutions" Public Progrem II: HsienYu Cheng
Lectures 演講
2025 從創作到行動：藝術如何回應數位平台治理，為「如何打造一個更友善的維基百科/薇姬的房間10週年工作坊」前導講座，由薇姬的房間 Wikiwomen Taiwan、女人迷 Womany、 #CodeforGender主辦，雲的藝評協辦
2025 宅在家裡就可以看藝術：網路藝術與線上策展分享，臺北市陪伴者實驗教育機構，台北
2024 策展人邀請講座《www.反轉資料庫.commons》(北美館開放網絡計畫 TFAM Net.Open│共域計畫之四) ，國立臺北藝術大學，台北
2024 舞蹈電影「嘴臉放映機」藝術家講座，荷蘭舞蹈電影節，阿姆斯特丹
2023 On the Methodology of Curating Digital Art Festival Taipei - Fake it Real, Limestone Books, Masstricht, the Netherlands
2022 登入數位藝術：當網路成為畫布線上課程，師大美術館與進修推廣學院合辦，台北
2021 時間脫軌的詩影像，臺南大學視學藝術與設計學系，台南。內容關於舞蹈電影「當派對快結束的時候」跟德勒茲時間哲學的關係和用身體解構詩歌作為創作方法。
2021 舞蹈電影「當派對快結束的時候」藝術家講座，謝以萱主持，荷蘭舞蹈電影節，阿姆斯特丹
2021 臺北數位藝術節《真相碎片》策展人講座，中原大學，台中
2020 從線上策展到網路藝術，臺北數位藝術節《無邊庇護所》，台北
2020 虛構國度與混雜認同：網站作品「烏有史Uchronia」創作歷程分享，Lightbox攝影圖書室，台北
2019 生態批判與後人類藝術觀察，Lightbox攝影圖書室，台北
2019 生態批判與後人類藝術觀察，國立臺北藝術大學【劇場社會學與社群專題】，台北
2019 「歷史影像的再創造」，現象書寫計畫聯合發表，台北當代藝術中心、害喜影音綜藝有限公司與雲的藝評黃祥昀，台北
2018 跨領域藝術的想像與實踐 ―― 以荷蘭萊頓大學「媒體：電影與攝影研究所」為例 ，Lightbox攝影圖書室，台北
