參考書目 Bibliography

:::info Bibliography (https://gitlab.com/aesthetic-programming/book/-/blob/master/source/bibliography.md) 目前不翻譯 ::: # 參考書目 Bibliography - 1001 Free Fonts. <https://www.1001freefonts.com/>. - “A Beginner's Guide to Neural Networks and Deep Learning.” Pathmind. <https://pathmind.com/wiki/neural-network#define>. - Abbing, Roel Roscam, Peggy Pierrot and Femke Snelting. “Modifying the Universal.” In *Executing Practices*. Edited by Helen Pritchard, Eric Snodgrass & Magda Tyżlik-Carver, 35-51. London: Open Humanities Press, 2018. - Abidin, Crystal, and Joel Gn. “Between art and application: Special issue on emoji epistemology.” *First Monday* 23 (September 2018):9. - Adam, Alison. *Artificial Knowing: Gender and the Thinking Machine*. London: Routledge, 2006. - —————. "A Feminist Critique of Artificial Intelligence." *European Journal of Women's Studies* 2, no. 3 (1995). - Adorno, Theodor W. *Prisms*. Cambridge, MA: The MIT Press, 1983. - “Adversarial Hacking in the Age of AI: Call for Proposals.” transmediale / art & digitalculture (2020). <https://2020.transmediale.de/content/adversarial-hacking-in-the-age-of-ai-call-for-proposals>. - “A.I. Wiki: A Beginner’s Guide to Important Topics in AI, Machine Learning, and Deep Learning.” Pathmind. <https://pathmind.com/wiki/ai-vs-machine-learning-vs-deep-learning>. - Agre, Philip E. “Toward a Critical Technical Practice: Lessons Learned in Trying to Reform AI.” In *Social Science, Technical Systems, and Cooperative Work: Beyond The Great Divide*. Edited by Geoff Bowker, Les Gasser, Leigh Star, and Bill Turner. Hillsdale, NJ: Erlbaum, 1997. - al-Khuwarizmi, Muhammad ibn Musá. *The Algebra of Mohammed ben Musa*. Translated by Frederic Rosen. London: Rosen, 1831. - Ali, Syed Mustafa. "A Brief Introduction to Decolonial Computing." *XRDS: Crossroads, The ACM Magazine for Students* 22, no. 4 (2016): 16–21. - Andersen, Christian Ulrik, and Geoff Cox. *A Peer-Reviewed Journal About Datafied Research*, no. 4 (June 2015). https://aprja.net//issue/view/8402>. - Andersen, Christian Ulrik, and Geoff Cox. *A Peer-Reviewed Journal About Machine Feeling*, no. 8 (June 2019). <https://aprja.net//issue/view/8133>. - Andersen, Christian Ulrik, and Søren Bro Pold. *The Metainterface: The Art of Platforms, Cities, and Clouds*. Cambridge, MA: The MIT Press, 2018. - Andersen, Peter Bøgh. "Computer Semiotics." *Scandinavian Journal of Information Systems* 4, no.1, (1992). <https://aisel.aisnet.org/sjis/vol4/iss1/1/>. - Anikina, Alex. *A Lecture-Performance: Chronic Film*, 2007, time: infinite, Goldsmiths, University of London. <http://en.mieff.com/2017/alexandra_anikina>. - Apprich, Clemens. “Introduction.” in *Pattern Discrimination*. Edited by Clemens Apprich, Florian Cramer, Wendy Hui Kyon Chun, and Hito Steyerl, x-xii. Minneapolis, MN: University of Minnesota Press and Lüneberg, DE: Meson Press, 2018. - Arns, Inke. "Read_me, run_me, execute_me: Code as Executable Text: Software Art and its Focus on Program Code as Performative Text." Transated by Donald Kiraly. *MediaArtNet*, 2004. <http://www.mediaartnet.org/themes/generative-tools/read_me/1/>. - “Array Objects,” p5.js. <https://p5js.org/examples/arrays-array-objects.html>. - “Array of Objects.” p5.js. <https://p5js.org/examples/objects-array-of-objects.html>. - Austin, John Langshaw. *How to Do Things with Words*. Oxford: Clarendon Press, 1975. - Balsamo, Anne. *Technologies of the Gendered Body: Reading Cyborg Women*. Durham, NC: Duke University Press, 1995. - Barad, Karen. *Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning*. Durham, NC: Duke University Press, 2007. - Bellacasa, Maria Puig de la. “Matters of Care in Technoscience: Assembling Neglected Things.” *Social Studies of Science* 41 (February 2011): 85–106. - Benjamin, Ruha. “Are Robots Racist: Reimagining the Default Settings of Technology and Society.” Dropbox Lecture video, 23:23, 2019. <https://www.dropbox.com/s/j80s8kjm63erf70/Ruha%20Benjamin%20Guest%20Lecture.mp4>. - Benjamin, Ruha. *Race After Technology: Abolitionist Tools for the New Jim Code*. Cambridge: Polity, 2019. - Benjamin, Walter. "The Author as Producer" [1934]. In *Selected Writings, Volume 2, 1931–1934*. Edited by Howard Eiland, Michael W. Jennings, and Gary Smith. Cambridge, MA: Belknap Press of Harvard University Press, 2005. - ———. "The Work of Art in the Age of Mechanical Reproduction" [1936]. In *Selected Writings, Volume 3, 1935–1938*. Edited by Howard Eiland, and Michael W. Jennings. Cambridge, MA: Belknap Press of Harvard University Press, 2002. - Bennett, Jane. *Vibrant Matter: A Political Ecology of Things*. Durham, NC: Duke University Press, 2009. - Berardi, Franco “Bifo.” “The Neuroplastic Dilemma: Consciousness and Evolution.” *e-flux* journal no. 60 (December 2014). https://www.e-flux.com/journal/60/61034/the-neuroplastic-dilemma-consciousness-and-evolution/. - —————. *Precarious Rhapsody: Semiocapitalism and the pathologies of the post-alpha generation*. Translated by Arianna Bove, Erik Empson, Michael Goddard, Giuseppina Mecchia, Antonella Schintu and Steve Wright. London: Minor Compositions, 2009. - Berger, John. *Ways of Seeing*. London, UK: Penguin, 1972. - Bergson, Henri. *Matter and Memory*. Translated by Nancy Margaret Paul and W. Scott Palmer. London: Allen and Unwin, 1896. - Berlant, Lauren, and Michael Warner. "Guest Column: What Does Queer Theory Teach Us about X." *PMLA* 110, no. 3 (May 1995): 343–49. - Berry, David M., and Anders Fagerjord. *Digital Humanities: Knowledge and Critique in a Digital Age*. Hoboken, NJ: John Wiley & Sons, 2017. - “Binary Increment.” Turing Machine Visualization. <https://turingmachine.io/>. - Bivens, Rena. “The Gender Binary will not be Deprogrammed: Ten Years of Coding Gender on Facebook.” *New Media & Society* 19 (June 2017): 880–898. - “Blame it On the Boogie.” The Jackson 5, *Destiny*. Total Experience Recording Studios, 1978. - Blas, Zach, and Micha Cárdenas. “Imaginary Computational Systems: Queer Technologies and Transreal Aesthetics.” *AI and Society* 28 (December 2013): 559-566. - Bogost, Ian. *Persuasive Games: The Expressive Power of Videogames*. Cambridge, MA: The MIT Press, 2007. - —————. “Procedural Literacy: Problem Solving with Programming, Systems, & Play.” *The Journal of Media Literacy* 52 (Winter/Spring 2015): 32-36. - —————. *Unit Operations: An Approach to Videogame Criticism*. Cambridge, MA: The MIT Press, 2006. - Boluk, Stephanie, Leonardo Flores, Gacob Garbe, and Anastasia Salter, eds.. *Electronic Literature Collection: Volume Three*. Cambridge, MA: Electronic Literature Organization, 2016. <http://collection.eliterature.org/3/>. - Borràs, Laura, Talan Memmott, Rita Raley, and Brian Stefans, eds.. *Electronic Literature Collection: Volume Two*. Cambridge, MA: Electronic Literature Organization, 2011. <http://collection.eliterature.org/2/>. - Britton, Loren, Klumbyte Goda , and Draude Claude, “Doing Thinking: Revisiting Computing with Artistic Research and Technofeminism.” *Digital Creativity* 30, no. 4 (October 2, 2019): 313–28. <https://doi.org/10.1080/14626268.2019.1684322>. - Brock, Kevin. *Rhetorical Code Studies: Discovering Arguments in and around Code*. Ann Arbor, MI: University of Michigan Press, 2019. - Broeckmann, Andreas. "Software Art Aesthetics," *Mono* 1 (2007): 158-167. - Bucher, Taina. *If...Then: Algorithmic Power and Politics*. Oxford: Oxford University Press, 2018. - Buolamwini, Joy. “Response: Racial and Gender Bias in Amazon Recognition — Commercial AI System for Analyzing Faces.” *Medium*, 2019. <https://medium.com/@Joy.Buolamwini/response-racial-and-gender-bias-in-amazon-rekognition-commercial-ai-system-for-analyzing-faces-a289222eeced>. - Butler, Judith. *Excitable Speech: A Politics of the Performative*. London: Routledge, 1997. - Carney, Michelle. “Using Teachable Machine in the d.school classroom.” Last updated November 5, 2019. <https://medium.com/@michellecarney/using-teachable-machine-in-the-d-school-classroom-96be1ba6a4f9>. - Cayley, John. “The Code is Not the Text Unless it is the Text.” *Electronic Book Review*. October 9, 2002. <http://electronicbookreview.com/essay/the-code-is-not-the-text-unless-it-is-the-text/>. - Chan, Owyang V. *Geometry Is Fun For Me*. Indianapolis, IL: Dog Ear Publishing, 2017. - Chandra, Ashok K., and David Harel. "Computer Queries for Relational Data Bases." *Journal of Computer and System Sciences* 21 (October 1980): 156–178. - Chen, Crystal, Paolla Bruno Dutra, R. DuBois Luke, and Tega Brain. “Image Processing in p5.js.” <https://idmnyu.github.io/p5.js-image/>. - Chun, Wendy Hui Kyong. “On Software, or the Persistence of Visual Knowledge.” *Grey Room* 18 (January 2005): 26-51. - —————. *Programmed Visions: Software and Memory*. Cambridge, MA: The MIT Press, 2011. - —————. *Updating to Remain the Same: Habitual New Media*. Cambridge, MA: The MIT Press, 2016. - Chun, Wendy Hui Kyong, and Andrew Lison. "Fun is a Battlefield: Software between Enjoyment and Obsession." In *Fun and Software: Exploring Pleasure, Paradox and Pain in Computing*. Edited by Olga Goriunova, 175–196. New York, NY; London: Bloomsbury Academic, 2014. - Chung, A. Mira. "Friendly Error System for p5.js." *Processing Foundation*. Last updated September 8, 2017. <https://medium.com/processing-foundation/2017-marks-the-processing-foundations-sixth-year-participating-in-google-summer-of-code-d365f62fc463>. - Cirio, Paolo. *Flowcharts: On Systems of Systems*. Morrisville, NC: Lulu, 2019. - Clark, Lin. "A crash course in just-in-time (JIT) compilers." *moz://a HACKS*. Last updated February 28, 2017. <https://hacks.mozilla.org/2017/02/a-crash-course-in-just-in-time-jit-compilers/>. - Clarke, Laurie. “Why hiding likes won’t make Instagram a happier place to be.” *Wired*. Last updated July 19, 2019.<https://www.wired.co.uk/article/instagram-hides-likes>. - “Coding -- the 21st century skill.” European Commission. <https://ec.europa.eu/digital-single-market/en/coding-21st-century-skill>. - “Coding the way to a brighter future in 2018 & beyond.” Microsoft Asia News Center. Last updated January 15, 2018. <https://news.microsoft.com/apac/features/coding-way-brighter-future-2018-beyond/>. - Conley, Will. “Facebook investigates tracking users’ cursors and screen behavior.” *Slashgear*. Last updated October 30, 2013. <https://www.slashgear.com/facebook-investigates-tracking-users-cursors-and-screen-behavior-30303663/>. - Cooper, Marilyn. M.. "Really Useful Knowledge: A Cultural Studies Agenda for Writing Centers." *The Writing Center Journal* 14, no. 2 (Spring 1994): 97-111. <https://www.jstor.org/stable/43441948>. - Cox, Geoff. “Introduction.” In *David Link: Das Herz der Maschine*, dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 037. Berlin: Hatje Cantz, 2012. - —————. “Ways of Machine Seeing.” *Unthinking Photography*. November 2016. https://unthinking.photography/articles/ways-of-machine-seeing. - —————. “Ways of Machine Seeing.” *A Peer-Reviewed Journal About Machine Research* 6, no. 1 (April 1, 2017): 8-15. <https://aprja.net//issue/view/8319>. - Cox, Geoff, and Joasia Krysa, eds. *Engineering Culture: On the Author as (Digital) Producer*. New York, Autonomedia, 2005. - Cox, Geoff, and Alex McLean. *Speaking Code: Coding as Aesthetic and Political Expression*. Cambridge, MA: The MIT Press, 2013. - Cox, Geoff, Alex McLean, and Adrian Ward. “The Aesthetics of Generative Code.” Presented at the Generative Art 00 International Conference, Politecnico di Milano, IT, 2000. <https://www.academia.edu/10519146/The_Aesthetics_of_Generative_Code>. - Cramer, Florian. “Language.” In *Software Studies: A Lexicon*. Edited by Matthew Fuller, 168–173. Cambridge, MA: The MIT Press, 2008. - Cramer, Florian, and Ulrike Gabriel, "Software Art," *American Book Review*, Issue “Codeworks”(Alan Sondheim, Ed.), 2001. - Crary, Jonathan. *24/7: Late Capitalism and the Ends of Sleep*. London: Verso, 2013. - Crutzen, Cecile, and Erna Kotkamp, "Object Orientation." In *Software Studies: A Lexicon*. edited by Matthew Fuller, 200-207. Cambridge, MA: The MIT Press, 2008. - Crawford, Kate, and Vladan Joler. “Anatomy of an AI System: The Amazon Echo as an anatomical map of human labor, data and planetary resources.” 2018. <https://anatomyof.ai/>. - Crockford, Douglas. "The application/json Media Type for JavaScript Object Notation (JSON)." *RFC 4627*. Last updated July/2006. <https://www.ietf.org/rfc/rfc4627.txt>. - Cukier, Kenneth, and Victor Mayer-Schönberger. “The Rise of Big Data.” *Foreign Affairs*. Last updated May/June 2013. <https://www.foreignaffairs.com/articles/2013-04-03/rise-big-data>. - “Custom Search JSON API.” Google Custom Search. Google Developers. Updated June 11, 2020. <https://developers.google.com/custom-search/v1/overview>. - D’Ignazio, Catherine, and Lauren Klein. *Data Feminism*. Cambridge, MA: The MIT Press 2020. - Dahl, Ole-Johan, and Kristen Nygaard. “The Birth of Object Orientation: the Simula Languages.” In *From Object-Orientation to Formal Methods Lecture Notes in Computer Science* 2635. Edited by Olaf Owe, Stein Krogdahl and Tom Lyche, 15-25. Berlin/Heidelberg, DE: Springer, 2004. - Das, Sauvik, and Adam D. I. Kramer. “Self-censorship on Facebook.” Presented at the AAAI Conference on Weblogs and Social Media (ICWSM), July 2013. <https://research.fb.com/publications/self-censorship-on-facebook/>. - *DATA browser* book series. London: Open Humanities Press. 2004 – Present. <http://www.data-browser.net/>. - Deleuze, Gilles, and Félix Guattari. *A Thousand Plateaus: Capitalism and Schizophrenia*. Minneapolis, MN: University of Minnesota Press, 1987. - du Sautoy, Marcus. “The Secret Rules of Modern Living: Algorithms.” *BBC Four*, 2015. <https://www.bbc.co.uk/programmes/p030s6b3/clips>. - “Development resources.” Minecraft Wiki, Fandom, Inc.. Updated June 22, 2020. <https://minecraft.gamepedia.com/Development_resources>. - “diagrammatic thinking.” Rocco Gangle, frequencies a collaborative genealogy of spirituality. Last updated December 19, 2011. <http://frequencies.ssrc.org/2011/12/19/diagrammic-thinking/>. - “Download.” p5.js. <https://p5js.org/download/>. - Eckhardt, George H. *Electronic television*. Chicago, IL: Goodheart-Willcox Company, Incorporated, 1936. - Education Working Group. “A Field Guide to Debugging.” p5.js. <https://p5js.org/learn/debugging.html>. - Eglash, Ron. *African Fractals: Modern Computing and Indigenous Design*. New Brunswick, NJ: Rutgers University Press, 1999. - —————. "Broken Metaphor: The Master-Slave Analogy in Technical Literature." *Technology and Culture* 48, no. 2 (April 2007): 360-369. - Ensmenger, Nathan. “Making Programming Masculine.” In *Gender Codes: Why Women are Leaving Computing*. Edited by Thomas J. Misa. Hoboken, NJ: John Wiley, 2010. - —————. “The Multiple Meanings of a Flowchart.” *Information & Culture: A Journal of History* 51 (2016): 321–351. - Ernst, Wolfgang. *Chronopoetics: The Temporal Being and Operativity of Technological Media*. London: Rowman & Littlefield International, 2016. - —————. “'... Else Loop Forever'. The Untimeliness of Media.” Il Senso della Fine, Università degli Studi di Urbino, Centro Internazionale di Semiotica e Linguistica. September, 2009. <https://www.musikundmedien.hu-berlin.de/de/medienwissenschaft/medientheorien/ernst-in-english/pdfs/medzeit-urbin-eng-ready.pdf>. - Eshun, Kodwo. "Further Considerations on Afrofuturism." *CR The New Centennial Review* 3, no.2 (2003): 287-302. - Faber, Liz W.. *The Computer's Voice: From Star Trek to Siri*. Minneapolis, MN: University of Minnesota Press, 2020. - Facebook, Inc.. United States Securities and Exchange Commission, Form S-1 Registration Statement. Last updated February 1, 2012. <https://infodocket.files.wordpress.com/2012/02/facebook_s1-copy.pdf>. - Fazi, Beatrice M., and Matthew Fuller. “Computational Aesthetics.” In *A Companion to Digital Art*. Edited by Christiane Paul, 281-296. Hoboken, NJ: Wiley Blackwell, 2016. - Felton, G.E.. *Ferranti Pegasus Computer Programming Manual*, London: Ferranti Ltd, 1955. - FemTechNet. *Feminist Pedagogy in a Time of Coronavirus Pandemic*. 2020. <https://femtechnet.org/feminist-pedagogy-in-a-time-of-coronavirus-pandemic/>. - “Fetch Living Standard Course.” WHATWG Community. Last updated July 7, 2020. <https://www.w3.org/TR/cors/>. - Finn, Ed. *What Algorithms Want: Imagination in the Age of Computing*. Cambridge, MA: The MIT Press, 2017. “Flocking.” P5.js. <https://p5js.org/examples/simulate-flocking.html>. - Forensic Architecture. <https://forensic-architecture.org/>. - Fried, Limor, and Federico Gomez Suarez. “Binary & Data.” Khan Academy Courses. <https://www.khanacademy.org/computing/computer-science/how-computers-work2/v/khan-academy-and-codeorg-binary-data>. - Free Software Foundation, Inc.. “GNU Lesser General Public License, Version 3, 28 June 2007.” <https://www.gnu.org/licenses/lgpl-3.0.txt>. - —————. “What is free software? The Free Software Definition.” Last updated July 30, 2019. <https://www.gnu.org/philosophy/free-sw.html>. - Friere, Paolo. *Pedagogy of the Oppressed*. New York: Continuum, 1970. - Fry, Ben, and Casey Reas. “Processing.” <https://processing.org./>. - Fukuyama, Francis. *The End of History and the Last Man*. New York: Free Press, 1992. - Fuller, Matthew. *How to be a Geek: Essays on the Culture of Software*. Cambridge: Polity Press, 2017. - ————— ed.. *Software Studies: A Lexicon*. Cambridge, MA: The MIT Press, 2008. - Fuller, Matthew, and Andrew Goffey. “The Obscure Objects of Object Orientation.” In Matthew Fuller, *How to be a Geek: Essays on the Culture of Software*. Cambridge, UK: Polity, 2017. - Fuller, Matthew, Andrew Goffey, Adrian Mackenzie, Richard Mills and Stuart Sharples, "Big Diff, Granularity, Incoherence, and Production in the Github Software Repository." In Matthew Fuller, *How To Be a Geek: Essays on the Culture of Software*. Cambridge: Polity Press, 2017. - Gaboury, Jacob. “A Queer History of Computing: Part Three.” *Rhizome*. Last updated April 9, 2013. <https://rhizome.org/editorial/2013/apr/9/queer-history-computing-part-three/>. - Gabrys, Jennifer. *How to Do Things with Sensors*. Minneapolis, MN: University of Minnesota Press, 2019. - Galanter, Philip. “What is Generative Art? Complexity theory as a context for art theory.” Presented at the GA2003-6th Generative Art Conference. Milan. January 2003. <https://www.researchgate.net/publication/318494160_What_is_generative_art_Complexity_theory_as_a_context_for_art_theory>. - Gauthier, David, Audrey Samson, Eric Snodgrass, Winnie Soon, and Magda Tyżlik-Carver. “Executing.” In *Uncertain Archives*. Edited by Nanna Thylstrup, Daniela Agostinho, Annie Ring, Catherine D’Ignazio and Kristin Veel. Cambridge, MA: The MIT Press, 2021. - Gerlitz, Carolin, and Anne Helmond. “The Like Economy: Social Buttons and the Data-Intensive Web.” *New Media & Society* 15. (December 2013): 1348–65. - Gibbons, Jeremy, and Oege de Moor. *The Fun of Programming*, London: Palgrave Macmillan, 2003. - “GitLab Markdown.” GitLab Docs. <https://docs.gitlab.com/ee/user/markdown.html>. - Goffey, Andrew. “Algorithm.” In *Software Studies*. 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