EGOIST - Eiyuu Unmei no Uta [Septuaginta]

# EGOIST - Eiyuu Unmei no Uta [Septuaginta] This map begins with the first phrase, 00:04:093 - 00:09:517, with all 3/2 sliders that combine in groups of four to form some shape. ✔ > ^ Grammar-wise need to rewrite this sentence in such a way that the groups of objects are each forming their own shapes, instead of one shape made by all the groups of objects The next phrase begins with a new sound, but the instrument remains the same as before until the last two beats of the second phrase. ✔ This difference is implemented with the first slider of the second phrase being faster, the 6 remaining 3/2 sliders forming two groups of three rather than two groups of four, and the last two beats containing a much more intense pattern that speeds up as it approaches the next period in the song. ✔ --- The first phrase of the next period, beginning here 00:14:941 - , starts with a slow slider to emphasize this transition. ✔ For the rest of this phrase, the sudden increase in the songs intensity is made clear with the use of much larger spacings and high slider velocity, with the largest sv accompanying the loudest sound occurring on beat 3 of each measure. ✔ This phrase still does have some familiarity with the first period as the fastest sliders that have more advanced shapes than straight and simple curved sliders only occur on a specific sound occuring in the song. ✔ > ^ I'm not your English teacher but you can remove some ambiguity and simplify your wording here (can you see how?). Good observation otherwise! I’m not sure how to describe this sound well so use 00:09:517 and 00:15:619 for reference if needed. ✔ In this phrases fourth measure is begins to differ with the slider right before beat 3 not being a repeat, and then by having the slider on beat 3 be shorter, ½ instead of 1/1, and by having it lead into a long slanted slider, which is a new sight in this phrase. ✔ The second phrase of this period begins again with a slow slider, and then only uses slanted/simple curved sliders as the instrument from before on beat 3 doesn’t play, or at least doesn’t play as loud as before. ✔ However this phrase isn’t necessarily “less intense” than the previous one, and the mapper transfers the intensity of the demanding sliders to additional use of circles on 1/4th and 5 note bursts. ✔ Along with more large spacing, this second phrase contains the same intensity as the first one, but only in a different form as to fit the difference in instruments in the song. ✔ --- The next period isn’t complicated, what’s to note is that with the change in the song the mapper switches from a slider heavy section to a 1-2 heavy section. ✔ The first phrase of this period is all 1-2 with the last offbeat being a ¼ slider instead of a circle to represent this change in phrase. ✔ Then the second phrase continues like the first with all 1-2’s until its last measure, which contains a slider and some circles on 1/4ths and 1/3rds to match the transition in the song’s rhythm. ✔ > ^ Would say "on the 1/4" or "on the 1/3" instead --- The fourth period is one that resembles the first in intensity, by not having much, however this time around there is a bit more going on with the instruments and there are vocal present this time. ✔ > ^ Grammar-wise you probably need to remove the comma and the "by not having much" part, although in general this sentence could use a rewrite ("this time" is said twice, vocal is singular not plural, etc.) For familiarity, the mapper goes to a lower sv similar to the first period and groups the sliders, but this time uses a bit more to emphasize the increase in instruments in this section(depending on which phrase) compared to the first period. ✔ The first phrase here is all ½ repeat sliders, while the second phrase is all ½ sliders followed by a circle. ✔ The second phrase also differs from the first with an increase in spacing between notes and the grouping of patterns in pairs rather than groups of four. ✔ --- The fifth phrase isn’t much to note, it’s simply a really slow 15/1 wave slider for the first phrase and a really slow 16/1 slanted slider for the second phrase. ❌ > ^ The first slider is actually 31/2 and the second one is 12/1. Good observation otherwise! --- The next period is transitioned into with a stream and then assumes a similar intensity to the second half of the second period, with the focus being more on vocals. ✔ This section uses similar large spacings between sliders, but this time around the sliders are slowed or sped up to match the intensity of the vocals in this section. ✔ To transitioning into the second phrase of this period the mapper uses much larger spacing, and then has the first slider of the next phrase be a repeat slider, which didn’t appear at all in the first phrase. ✔ The song in this second phrase begins to slow down as to transition into the chorus, which is implemented through the use of sliders with gradually falling sv’s. ✔ This then leads into a spinner on the third measure and two slow sliders for the last two beats before the chorus. ✔ > ^ Also note how the last slider before the chorus start is on the off-beat, which is less significant than the upbeat at 01:10:195 - where the vocal is heard with much more prominent musical accompainment